1. BY TROYNELSONAEROBICSfor Developing, Workout Program A
52-WEEK, One-lick-per-day T a g l m p r o v i n g ,n d M a i n t a
i n i nG u i t a r e c h n i q u er:].FOR ALL LEVELS:BEGINNERTO
ADVANCED CDs lncludeLick Demos& Drum Metronome!
2. BY TROYNELSONAEROBICSA 52-WEEK, One-lick-per-day Workout
Program for Developing, l m p r o v i n g ,n d M a i n t a i n i nG
u i t a rT e c h n i q u e g aM BEGINNERTOADVANCED CDs lncludeLick
Demos& Drum Metronome! 3. EIYTROYNELSONAEROBICS Contents
........... CD TrackListing4lntroduction. . . T h eT e c h n i q u
e.s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5. . . . . . . . . . . . ' l - 3 6 5 . . . . . . . . . . . . . . .
. . . . . . .6 . .1 1 0 . - .. W e e k s1 - 5 2 :E x e r c i s e
sISBN-1 978-1-4234-1435-3 3: ISBN-10:1-4234-1435-7Tlllet-.LEoNARD'
L 1 - C . O F I P O F T A T I O N ln Australia Conlact: Hal Leonad
Australla Pty. Ltd. 4 Lentara Court Victoria, 3192Australia
Cheltenham, Email:[email protected],com.au CORPORATION Copyright
2007by HALLEONARD @ Reserved Secured All Rights International
Copyright in may No parlot thispublication be reproduced anylorm
permission thePublisher of without priorwritten the or by anymeans
Visit Hal Leonard Online at w*u.hallaoned.codr 4. CD TRACK CD1 o
GUITARLISTING TRACKSAll guitars DougBoduch by DescriptionCDI .
Track PageDescriptionCDl . Track PageW e e k1 :E x e r c i s e 7. .
. . . . . . . . . . . 1 1- sW e e k 8 :E x e r c i s1 9 0 - 1 9.6 .
. . . . . 2 8 2 es .OUW e e k2 : E x e r c i 8 e1 4 . . . . . . . .
. . . . 2 s- sIWeek29: Exercises 197-203. . . . . . . . 29ozWeek 3:
Exercises 15-21 . . . . . . . . . . . 3 1 0Week Exercises 30:
2O4-21O. . . . . . . 30 .o4Week 4: Exercises 22-28 . . .Week31:
Exercises 211-217. . . . . . . . 31ooW e e k5 : E x e r c i s e s 2
9 - 3 5 . . . . . . .5 . . . 1 4 .Week32: Exercises 218-224. .
.oatWeek 6: Exercises 36-42 . . . . . - . . . . . 6toWeek33:
Exercises 225-231 . . .70Week 7: Exercises 43-49 . . . . . . . . .
. .718Week34: Exercises 232-238. . . . . . .. 3472W e e k8 : E x e
r c i s e s S 0--.5 . ... . . . . 8 ' .620Week35: Exercises
239-245. . . . . . . .3574W e e k9 : E x e r c i s e s 5 T - 6 3 .
. . . . . .I. . . . 22Week36: Exercises 246-252. . . . . . . .
36TOWeek10:Exercises 64-70 . . . . . . . . . . 1024Week37:
Exercises 253-259. . . . . . . .3778W e e k 1 :E x e r c i s 7 1 -
7 7. . . . . . . . . . 1 1 1 es26Week38: Exercises 260-266.. . . .
. . .3880W e e 1 2 :E x e r c i s e s 8 4 . . . . . . . . . 1 2 k
78- .28Week Exercises 39: 267-273..... . . . 3982W e e 1 3 :E x e r
c i s e s 9 1 . . . . . . . . . 1 3 k 85- .30W e e k 0 :E x e r c i
s2 7 4 - 2 8 0 . . . . . . . 4 0 4 es84W e e k 4 :E x e r c i s9 2
- 9 8 . . . . . . . . . 1 4 1 esozWeek Exercises 41: 281-287 . ....
. . 41 .86Week Exercises 15: 99-105.. . . . . . . . 1534Week42:
Exercises 288-254.. . . . . . .4288W e e 1 6 : x e r c i s1e0s6 -1
2 . . . . . . . . 1 6 k E 1.toW e e k 3 :E x e r c i s2 9 5 - 3 0
1. . . . . . . 4 3 4 es .90W e e 1 7 :E x e r c i s e s - 1 9 . . .
. . . . . 1 7 k 113 1eaWeek44: Exercises 302-308. . . . . . . .
4492W e e k 8 :E x e r c i s 1 2 0 - 1 2 6.. . . . . . . 1 8 1
es40Week45: Exercises 309-315. . .94Week19: Exercises 127-133.. . .
. . . . 1942Week46: Exercises 316-322. . .96Wdek Exercises 20:
134-140. .. . . . . 20 .44Week47: Exercises 323-329. . . . . . . .
4798W e e k 1 :E x e r c i s1 4 1 - 1 4.7 . . . . . . 2 1 2 es
.46Week48: Exercises 330-336. . . . . . . . 48100Week22: Exercises
148-154 . . . . . . .22 .48Week49: Exercises 337-343... .. . .
.49102W e e k 3 :E x e r c i s1 5 5 - 1 6.1 . . . . . . 2 3 2 es
.50Week50: Exercises 344-350. . . . . . . . 50104Week24: Exercises
162-168. . . .. . . . 2452Week51: Exercises 351-357. . . . . . . .
51106W e e k 5 :E x e r c i s1 6 9 - 1 7.5 . . . . . . 2 5 2 es
.54W e e k 5 2E x e r c i s3 5 8 - 3 6 5. . . . . . . 5 2 : es
.108Week Exercrses 26: 176-182.. . . . . . . 2656T u n i nN o t e s
. gW e e k 7 :E x e r c i s1 8 3 - 1 8.9 . . . . . . 2 7 2 es .
2o58/l12.....53 5. CD.Z. RHYTHMTRACKSAll drumsby ScottSchroedl
DescriptionCD2 . Track(even eighthnotes): Rhythm Rock,Blues
.......1 per inute m 4 0b e a t sDescriptionCD2 o Track144 Rhythm:
bpm . . . . . . . . . . . .23 Blues Shuffle 1: b B l u eS h u f fRe
y t h m6 0 p m. . . . . . . . . . . . 2 4 s l h(even eighthnotes):
Rhythm Rock/Blues . . . .' . . . ' ' 2 4 8b p m . (even
eighthnotes): Rhythm Rock/Blues .....'....3 58bpm. (even
eighthnotes): Rhythm Rock/Blues .... 72bpm...4(even eighthnotes):
Rhythm Rock/Blues ..'. .....5 84bpm. (even eighthnotes): Rhythm
Rock/Blues ....'.....6 96bpm. (even eighthnotes): Rhythm Rock/Blues
.....'..-7 108bpm. (even eighthnotes): Rhythm Rock/Blues ..".....8
120bpm.R : J a z ' S w i n g h y t h m5 6 b p m . 6 R J a z '5 * 1
n n h y t h m :9 b p m . 80 JazzSwingRhythm: bpm ...""25 .."'26
.'.'279 R S J a z z w i n g h y t h m :2 b p m ......28Jazz
SwingRhythm:104 bpm. . . . .291 R J a ' zS w i n g h y t h m :1 6 b
p m.....30bp R S Jazz wing hythm:132 m......31Jaz' SwingRhythm:144
bpm...32(cut Rhythm time):56 bpm . . . . . . . . . 33 Country (c 6
C o u n t rR h y t h m u t i m e ) : 0 b p m . . . . . . . . . 3 4
y (cuttime): bpm . . . . . . . . . 35 76 Rhythm Countrylr1 1(cut
Rhythm time):92 bpm . . . . . . . . . 36 Country (c : C o u n t rR
h y t h m u t i m e )1 0 8b p m . . . . . . . . 3 7 y 1 R m C o u n
t r yh y t h ( c utti m e ) :2 6b p m. . . . . . . . 3
813(cuttime): bpm . . . . .. .. 39 144 Rhythm Country (c : C o u n
t rR h y t h m u t i m e )1 6 8b p m . . . . . . . . 4 0 y40
FunkRhythm: bpm 48 FunkRhythm: bpm. . . . . . . 4 1............4248
Rhythm: bpm. Shuffle Blues.. ' ' '1756 FunkRhythm: bpm43bp B l u eS
h u f f R h y t h m : 6 0 m . s le.....1866 FunkRhythm: bpm4476
Rhythm: bpm. Blues Shuffle' . . . 1976 FunkRhythm: bpmAF92 Rhythm:
bpm . Shuffle Blues. . . . .2O108 Rhythm: bpm Blues Shuffle... '
'21100 FunkRhythm: bpm . . .126 Rhythm: bpm Shuffle Blues. - . .
.221 R F u n k h y t h m :1 2b p m . . ....48 3 6. INTRODUCTION
henmy goodfriends Hal Leonard at first approached aboutwritingthis
book,they me already a i.itle, had Aerobics, Guitar and a
topic,guitar technique, mind.Other in thanthosetwo details,
however, theykindlygaveme carteblanche create to the
rest.Onethingwas certain: did not wantto introduce I another
run-of-the-mill technique bookto the guitarpublications
marketplace, that was filledcoverto one coverwith blandchromatic
exercises ransensethat lessly and downthe fretboard. up Instead,
wantedto I devise guitar-technique that at oncehelped a book the
reader guitar develop, improve, maintain and his/her chopsvia
musical examples couldbe applied that to real-world musical from
rock and bluesto settings, jazz andcountryAnd
mostimportantly,wantedto I createa bookthat was funl
Toooftenoractice sessionsbecomemonotonous to the lackof unindue
spiredmaterials fromwhichto learn. WithGulfar Aerobics, that'sno
longer case. theAdditionally, exercise each includes briefdescripa
tion-rcrigin, scale(s), rhythms, etc.-as wellas a pedormance And
trueto the book's"workout" tip. theme,allof the exercises comewith
a practice routine that is divided eightsets,eachof which into
contains specific per a tempo(e.9., 12 beats minute) 1 at whichto
playthe exercise. repetitions ('reps") Ten played set,withthe
temposincreasing variper are at ous increments fromone set to the
next,depending on the exercise's musical style.Forexample, here's
howto perform Rock/Blues the workout:Guitar Aerobics the ultimate
is workoutprogram for guitarists, promoting guitarfacility,
pick-and increasrng fret-hand speedand accuracy, improving and
dexterity whileat the sametime increasing vocabulary. lick The
program guitar 52-week coversone indispensable pickingon Monday,
techniqueeachday--afternate stringskippingon Tuesday,
stringbendingon Wednesday, arpeggios Thursday, on swrep pickingon
Friday, legatoon Saturday,andrhythmon Sunday-dl of
whichareoresented withinthe contextof eitheran guitarlickor an
exercise is considerapplicable that ablymoremusical thanthe
chromatic exercises found in othertechnique books.Moreover, because
each example intoone of six musical fits styles-rock,
jazz,metal,countryor funk-once you'vegot blues, the
lickdowncold,you can test driveit at yournext jam session, whatever
styleof musicyou play.Eachexercise labeled is witha genreand'track
listing, whichtogether denotethe workoutyou should
follow.Aerobicsis systematically Guitdr arranged that so
eachweekthe musical examples increase difficulty. in yourself
beginner, canjump right you lf you consider a playing intoWeek.1and
feelperfectly comfortable the you'll materjal. Consequently, havean
entirecalendar yearof material-365exercises-topractice! At
approximately Week18,the material moreappropriis atefor players an
intermediate of level. And Week36 marksthe entrypointfor
thoseplayers who possess (i.e., you fit in the considerable chops
advanced). lf lastcategorythat'sstill120 exercises get through! to
Guitar Aerobics offerssomething everyone. for 4Every musical
example GuitarAerobics in atD in iSOS can be heardon CD1of the two
accompanying audio CDs,with all of the 52 weeksseparated onto
individyou ualtracks.Therefore, can quickly cue up a specific
llckto hearhowit should (low sound. Tuning notes to
high,E-A-D-G-B-E)arealsoincluded the final on trackof CD1
CD2contains . rhythm tracks(drums only)performed a variety
temposdictated at of by genre,including theirrespective straight
rock/blues, jazz bluesshuffle, swing,funk,countryand metal.So
yourmetronome-nowyou'vegot a real throwaway drummer keeptime! to
just lf you devote a few minutes eachdayto pracof ticing examples
thisbook,I guarantee you'll the in that noticeimmediate
improvements yourguitartechin nique.By the time365 dayshavepassed,
yourchops will be secondto none.Personally, I
noticedconsiderableimprovementmy technique in during writing the of
this book-and I didn'tfollowthe workoutprogram! Allthat it takesis
a littletime,dedication, determiand nation. Goodluck! 7. THE
TECHNIQUES previously, techniques-alterseven A s I mentioned string
bending, skipping, string flnate picking, picking, rhythm-are and
legato, sweep arpeggios, for Aerobics, technique eachday one in
covered Guitar guitartechthereare many of the week.Although in that
arenot presented this book,I believe niques for are techniques the
mostessential guitheseseven will thesetechniques
reducelimitatarists. Mastering to tionsand equipyou with the
toolsnecessary on the achieve goalsyou haveset for yourself the
instrument. of Here,now,is a briefoverview the
techniques'presentedin this book: is AlternatePicking:No technique
moreprevalentpicking. funA benefit-thanalternate and of greater to
applied any guitar it technique, can be damental that contextand is
thetechnique separates musical On thesepages, fromthe boys/girls.
the men/women of alternation downa the technique, continuous your
pick hand,is applied with and upstrokes strokes from rockand
bluesto jazzand country to everything with associated String
Skipping:Mostcommonly quiteuseful is rockand metal,stringskipping
also otherformsof music.The predominant whenplaying in examples
thisbookis focusof the string-skipping the skips and thatof single-
double-string within conrock,and metal. text of blues, 1azz,
whichmostlyconString Bending:Theseexamples, quartersistof
blues,countryand rock licks,feature wellas bends,as and
step,half-step, whole-step unison, bendssuchas oblique,
moresophisticated pre-bends. and compound, in an Arpeggios:Although
"arpeggio" and of itselfis of the not a technique, coordination
right-and leftqualipedormone certainly usedto handmovements is of
fies.Thedefinition an arpeggio "a chordwhose rather
thansimulplayedin rapidsuccession notesare that illustrate in
herein and taneously," the examples possible on the neck,
practically combination every to fromsimpleopenpositionthord
combinations Whichbringsus concepts. sweep-picking advanced to
ournexttechnique...pickof Sweep Picking:The polaropposite alternate
picking onecontinuous involves using ing,sweep to downor upstroke
playtwo or moreadjacent-string in mostof the examples Guitar notes.
Although you willfinda few Aerobics applyto rockand metal, to of
interesting examples howto applythistechnique jazz andbluesas well.
pullinvolves legato technique Legato:On the guitar, finger tapplng,
anycombior slides, offs,hammer-ons, of legatois anycollection two
Basically, nationhereof. on or more.notes the samestringthat
isn'tarticulated of A of with a succession pickattacks. widevariety
pages. on suchlicksis included the following "rhythm" a single
lsn't Muchlikean arpeggio, Rhythm: of used but technique, rathera
collection techniques to functions theyrelate a speciflc as various
to perform in A style. few of the topicscovered Guifar rhythmic
patterns, open-chord include basrcstrum Aerobics and walking
basslines, boogiebatterns, arpeggios, muchmore. 8. WEEK 1oo CDI
IBACK I . Tracks:9-1 6 Music Description: Performed exclusively
siliteenth in noteson the lirststring, lickmakesits way up the
neckby this (E-F|-CFA-B-C-D|). utilizing everynoteof the E harmonic
minors.cale yourpicking pattern Tip: Reverse afterplaying through
licka few times,beginning an upstroke. the withCD2. Tracks:
1+Technique: String Skipping cenre: Rock/Blues Music Description:
Thisexercise basedin the rootposltion the A minorpentatonic is of
scale(A-C-D-E-G) skips and a stringbetween eachnotepair. positioned
the fifth,si{h, seventh, Tip: Throughout figure, the
keepyourindex,middle, ring,and pinkyfingers at and
elghtfrets,respectively. ) = ao-tzo AmorATCD2 . Tracks:1-8
Technique: StringBending Genre:Rock/Blues Music Description:
Thisdescending is alsobasedin A minorpentatonic features lick and
whole-step bendson the second and thirdstrings. performing
bend.Forexample, Tip: Reinforce not eachbendwithJingers directly
the whenexecuting thhd-string the yourringfinger yourmiddle bendin
measure reinforce 1, and indexJingers. ) = 4o-r2o AmorAT 9. CD2 .
Tracks:1 G, the that exercise features notesof open-position D, and
C chords arpeggio Thisis a simple lvlusic Description: played
individually. practhis whenperforming exercise, (sweep) yourpick
handis moreefficient with downstroke Tip: Although single a picking
as well. it tice alternate ) = 4o-r2o G2DCnGVnVnVnvCD2 .
Tracks:9-16 in exclusively triadsin the keyof G played workout
features diatonic Thistwo-barsweep-picking Music Description: on
tripletrhythms the top threestrings. release some-or (youwantihemto
soundseparately), together Tip: To keepthe notesof
eachchordfromringing pressure onceeachnotehassounded. fretting
note(s) the fromthe finger all-of theCD2 . Tracks:1-8 to the lick
Thisstraightforward useshammer-ons connect notepairson eachstringas
it ascends Music Description: pentatonic scale. the A minor to
shift simultaneously yourindexfinger the flrstnoteof the on Tip: As
you hammer to the secondnoteof eachstring, .higher, neighboring
string. ) = 40-120CDz o Tracks:1-8 (#4) hereas fullchords,.in
exercise areplayed arpeggio usedin Thursday's The Music
Description: chordfragments quarter-note rhythms. fromG to D.
Also,usedownon Tip: Keepyourringfingerplanted the thirdfretof the
secondstringas youchange strumsthroughout. ) = 4f,-rm 10.
GUITARoWEEK 2CtlloIRACK 2 CD2o Tracks:9-16 Music Description:
Thislickis nearly identical the one played Monday to (#1). last
Theonlyvariation in the rhythm: is Lastweek'slickwas straight
sixteenth notes, whereas lickfeatures gallbping, this a
eighth-and-two-sixteenth-notes rhythm. pickingpattern Tip: Usea
strictdown-down-up throughout. ) = 4l0.ll2CD2 o Tracks:1-
Technique: StringSkipping Exercise:#9 Genre:Rock/Blues Music
Description: (#2), Similar lastTuesday's to exercise this phrase
borrows notesfromA minorpentatonic its and you'reworklng skipsa
stringbetween eachnotepair. yourway downthe scale.
Thistime,however, Tip: Bestresults achieved usingstrictalternate
picking, are by beginning a downstroke. with ) = 40.l2O
AmorATExercise: #10 cD2 r Tracks:1-8 Technique: stringBending
Genre:Rock/Blues Music Description: Releases havebeenaddedto the
bendsperformed lastweek's (#3). in lick Tip: Payattention
thisligure's to rhythm, beingcareful to rusheachbendand release.
not ) = 40-r2o 11. Technique: Arpeggios Genre:Rock CD2 o
Tracks:.1-8 Exercise: #11 workout(#4/. version lastThursday's of
arpeggio Music Description: Thisexercise the descending is picking
(sweep) work bestwhenperforming exercise, likelastweek,alternate
this but, is will Tip: A single upstroke as encouraged well. J =
40-120cpi c k or: V----let i"snn V n V -----------rVn
lnVnV-----------------rVnVnV-- -- - - - - - - -- -- -- -
rVthrouehoulTechnique: SweepPicking Genre:Metal #12 CD2.
Tracks:9-16 Exercise: (#5); however, timethe sweeps this The
rhythms notesareidentical lastFriday's and to exercise Music
Description: areall upstrokes. the fingers yourfret handwhenplaying
top noteof the Flochordin of Tip: Experiment boththe ringand middle
with 2. feelsmostcomfortable. measure Usewhichever ) = 4t-rr2p;crV
---"-----tv -,--l3 v -------.1V---IVIV----- -rV-------rTechnique:
Legato Genre:Rock/Blues #13 CD2. Tracks:1-8 Exercise: pulFoffs
(#6). version lastSaturday's exercise Thisblues-rock is the
descending, lick of Music Description: plucking motion
whenexecutTip: To get the secondnoteof eachpairto soundas loudas
the first,usea downward ingthe pull-off. ) = 4O-120
AmorATTechnique: Rhythm Genre:Rock #14 CD2. Tracks:1-8 Exercise:
(#7), fealures sameG-[:ff the chordchanges lastSunday's as example
only Music Description: Thisexercise rhythm straight is
eighthnotes. herethe yourhandoff of the fretboard making smooth
transition between chords, lifting try on Tip: lf you'rehaving
trouble a ringing; instead, focuson getting Don'tworryaboutthe
openstrings the "and"of beats2 and 4 of eachmeasure. yourfret
handto the nextchord. ) = 4o-r2o GDCG 12. WEEK3o. C01TRACK 3 CD2 .
Tracks:S-16 Music Description: continuation Exercises and #8
fromthe previous Mondays, exercise's modifiA of #.1 two this only
cationis its rhythm, which,here,is groupings two stdeenth of
notesand an eighth noteon eachbeat. pickingpattern eachbeatis ideal
thisexample. Tip: A down-up-down on for ) = 40-112CD2 . Tracks:1-8
Technique: StringSkipping Genre:Rock/Blues
play-two{REtes-skip-one-string (allwithinthe pattern Thislickis a
variation the ascending, Music Description: of framework A
minorpentatonic) Exercise onlyherethe notesareplayed reverse of
from #2, in order. is for thanthe pervious string-skipping two Tip:
Thisexercise a bit moredifficult the frethandto perform figures, so
takeextrarepsat slower tempos,if necessary before moving on. ) =
4/J-120 AmorATTechnique: CD2 . Tracks:1-8 StringBending
Genre:Rock/Blues Music Description: Thisbendlng exercise identical
the onefromWeek'l (#3), is to exceptthatthe whole-step bends
pre-bends releases noteis bentup onewholestepbefore picked, (the
with havebeenreplaced whole-step and it's pitch). to
andthenreleased it'soriginal properintonalion (hitting targetnotes)
the pre-bends Tip: Practice achieving the on before attempting
playthe to lick. entire. ) = 4o-r2o 13. Technique: Arpeggios
Genre:Rock Exercise: #18 CD2 . Tracks:1-8 workoutPortions Exercises
and #1t havebeencombined formthis newarpeggio of #4 to Music
Description: in and fashion. notesof open-position D, and C
chordsplayed bothascending descending G, various Even though
string. Tip: Whenplaying G chord,plantthe ringlingerof
yourfrethandon the thirdfretof the Jirst the it'll to the note(G)is
not played, add stability the chordvoicing. ) = 4o-rm GDCGCD2 o
Tracks:S-16 as chordtone(the3rd for majorchords; Music Description:
Thisis the sameexercise #5 fromWeek1, onlyan e)dra b3rd minorand
diminished chords) beenaddedto the top string. has for with note
Tip: Usethe pinkyof yourfret handand an upstroke yourpickhandto
attackthe last(highest) of eachfournotegrouping.Technique: Legato
Genre:Rock/Blues #20 CD2. Tracks:1- Exercise: exercises Weeks1 and
2, the A minorpentatonic from scaleserves the frameas Music
Description: Likethe legato pull the workfor this
lick.Thistime,however, offswillbe usedwhileascending scale.
remember pulldownon the stringto achieve to adequate volume the
targetnote. for Tip: Whenexecuting pull-offs, the ) = 4o-r?n
AmorATCD2 . Tracks:1-8 motion," G-H,-D chordprogression bit
more"forward a In of Music Description: the interest
givinglastSunday's noleshavebeentackedon to the "and"of beats2 and
4 of eachmeasure. two sixteenth patterns. followthe downstrums
beats2 and4 withquickdown-upstrum of the rhythms, Tip: Toexecute
sixteenth-note ) = 40.120 GDCG 14. A/EEK 4o[Dtr TBACK 4 Exercise:
#22 CD2 . Tracks:9-16 Technique; Alternate Picking Genre:Metal
Music Description: Thisversion the E harmonic of minorexercises the
pastthreeweekscontains of eighth-note tripletrhythms,
whichsubdivide eachbeal intothreeequalparts. Tip: Go slowly
first,and noticethat,because the triplets, picking at of the
direction alternates between downstrokes and uDstrokes
eachdownbeat. onExercise: #23 CD2 o Tracks:1-8 Technique:
StringSkipping Genre:Rock/Blues Music Description: withinthe A
minorpentatonic Staying scaleas in the previous string-skipping
exercises, this phrase worksits way downthe scale, skipping
stringbetween a every othernotepair. yourindexflnger the nelt
stringas soonas yourpinkyor ringfingerhitsthe second Tip:
Beginshifting to noteon eachstring. . = 4/J-120 AmorATCD2 .
Tracks:1-8 Technique: StringBending Genre:Rock/Blues 'Music
Thisexercise Description: introduces things: whole-step two a
bendon the firststringperformed your with pinkyor ringfingerand a
half-step bendon the thirdstringperformed yourindexfinger. with
Tip: Thathalf-step bendis trickier thanit seems; easyto fallflat or
pushit sharp.Playthe targetnote,Cl, at the it's sixthfretof the
thirdstringto checkyourintonation. ) = 40-120 15. CD2 . Tracks:
.l-8 progression hasbeenusedthe previous Thisfigure features
sameG-[:ff Music Description: the that three weeks;however, time
barrechordsareutilized voicethe arpeggios. this to Tip:
Baryourindexfingeracross six strings whenplaying all
eacharpeggio/chord.Exercise: #26 CD2 o Tracks:9-16 Technique:
SweepPicking Genre:Metal is Music Description: Thisexercise the
descending version lastFriday's of sweep-picking workout(#19).
grouping by picking firstnotewitha downstroke the last Tip: The
mostefiicient to playeachfour-note way is the and threenoteswith an
upwards sweep. ) = qo-tz GF$.CD2 o Tracks:I- Music Description:
Hammer-onsare used to connect the note pairsof each string while
descendingthe A minor pentatonicscale in root position. Tip: Be
carefulnot to rush the hammer-ons;even eighth notes should be
playedthrough beat 2 of measure2. ) = 4o-r2o AmorATExercise: #28
CD2 . Tracks:1-8 Technique: Rhythm Genre:Rock Music Description:
familiar The G-D{-G chordprogression the foundation thisexercise.
onlydifference is for The this is between example lastSunday's and
exercise the addition two sixteenth of noteson beats1 and 3 of each
measure. Tip: Counteachbeatas "one-ee-and-uh, two-ee-and-uh" and
strumyourpickhandaccordingly; etc., however, refrain frommaking
contactwiththe strings the "uh"of beats1 and 3 and the "ee"of
beats2 and 4 of eachmeasure. on ) = 4o-r2o GDCG 16. WEEKSo. C0l
TBACK 5 Technique:AlternatePicking Genre:Rock/Blues CD2 . Tracks:1-
runsstraight the A minorpentatonic Thisalternate-picking exercise
up scale, back-tracking only Music Description: 2). oncebeat 3 of
measure picking example youractionand start witha downstroke,
reverse Tip: Onceyou'recomfortable alternate the starting withan
uDstroke. ) = 40.rm AmorATCD2 o Tracks:1-8 Technique: String
Skipping Genre:Rock/Blues The ubiquitous minorpentatonic A
scaleprovides framework thisnextstring-skipBing the for Music
Description: "sawtooth" line. exercise, descending a your withan
upstroke the firstmeasure reversing in Tip: Youmightfind it easier
perform figureby starting to this and picking in starting witha
downstroke. direction the secondmeasure, ) = 4n-l20
AmorA?Technique: CD2 o Tracks:1-8 StringBending Genre:Rock/Blues
Half-step moves strings1-3 areintroduced thisnextUgure. on in Music
Description: bend-and-release lick be not causing noteto go sharp.
the Tip: LikelastWednesday's (#24, careful to over-bend, ) = 4$l2O
17. Exercise: #32 Technique: Arpeggios CD2. Tracks:1-8 Genre:Rock
Music Description: Don'tletthe tab stafffoolyou-these arethe
samebarrechords fromlastThursday's exercise (#25), from
onlythistimethey'rearpeggiated highto low. , Tip:
Likelastweek,barall sixstrings withyourindexfinger, forming entire
the chordshape. ) = 40-120 G.;"!. nDVnCGV_- - - - - - - - - - - - -
- - - r or: Y lel iW thlotghoulCD2. Tracks:9-16 for Music
Description: Except the hammer-on, figureis identical Exercise
fromWeek3. Thehammer-on this to #.19 you allows to playallfour
noteswithone pickmotion. grouping thenhammer Tip: Usea downward
sweepto articulate flrstthreenotesof the four-note the and
ontotheCD2 . Tracks:1-8 Music Description: Featuring slidesand
hammer-ons, lickclimbsup the odendedformof the A bluesscale this
(A-C-D-E -E-G). Tip: Paycloseattention the rhythm, it to because
features mixture quarter a of notes,eighth notes, and triplets. ) =
4n-l20 AmorATCD2 . Tracks:1-8 Music Description: thisexample, G-D-G
chordprogression previous In the from rhythm exercises arranged is
in straight sixteenth notesthroughout. Tip: Remember
count:"one-ee-and-uh, to two-ee-and-uh, four-ee-and-uh...
three-ee-and-uh, " ) = 4o-r2o GD. r . I" - I' I t I I I I l 1CI 1 I
t I IGI t I t I 1 I t t t l1I t l1 18. GUITARoWEEK 66 trllr TBACK
CD2 . Tracks:1-8 Technique:AlternatePicking Genre:Rock/Blues
Thisexercise features A minorpentatonic the in Music Description:
scaleananged a sequence "ascending of threes" (A-C-D,C-D-E,
D-E-G,etc.). the reverses itself everybeatso payspecial Tip:
Because the tripletrhythm, picking of direction on attention the to
picking promptbetween notation tab staves. the and ) = co-tzo
AmorATCD2 o Tracks:1+ Technique: StringSkipping Genrc:Rock/Blues
jumps(Ato A, C to C, D to D, etc.)withinthe A minorpentatonic the
basisof this Music Description: Octave form exercise. (index/ring
index/pinky) utilized Tip: Twofret handoctaveshapes and are
throughout become so familiar both with right away. ) = 40-120
AmorAT#38 Technique: StringBending Exercise: GD2. Tracks:1-
Genre:Rock/Blues pre-bends (strings and 3, firstmeasure), halfMusic
Description: Thisbending workout features half-step two 2 a (string
and a half-step 1), stepbendand release bend(string secondmeasure).
3, pattern. promptbetvveen notation tab staves onlya suggested Tip:
The picking the and is Because picking this the in you worksbestfor
you. lickis triclsy, shouldexperiment findwhatpattern to ) = 40-120
19. Technique: Arpeggios Genre:Rock #39 CD2. Tracks:1 Exercise:
(#32), D, and C baffchordsareusedonceagain. Here, exercise G, a
Music Description: LikelastThursday's voicings. is the 6-5-2-3
stringpattern usedto arpeggiate six-string picking thisfigure, is
for whereby single a downstroke usedto playthe bottomtwo notesand
Tip: Tryusingeconomy playthe top two notes. is a singleupstroke
usedto ) = 40-120 GDCGo r :n - - - - - l L1 rihe throughoulCD2 .
Tracks:9-16 for witha last lick in allowed four notesto be played
Music Description: Unlike Friday's (#33), whicha hammer-on and
sweep,in addition a pull-off. to Still,it's sweep, exercise this
demands downpick an upwards a single downwards
eachnoteindividually. muchmoreefficient thanpicking
yourindexlingerbarred the as with across top threestrings you
moveup the neckto play Tip: Experiment keeping eachshape.CD2 .
Tracks:1-8 legato (#34), phrase lick this usesthe extended
bluesscale, A onlythistime UkelastSaturday's Music Description: in
descending fashion. whenperforming pull-off. volume levels allof
the notes,pulldownon the stringslightly for a Tip: Toachieve
consistent ) = 40-120 AmolATCD2 . Tracks:'l-8 pull-offs, additional
including hammer-ons, and notes,havebeenaddedto the Embellishments,
Music Description: thal's featuredin the rhythmexercises the last
several of weeks. chord progression sameG-[:ff keep the the and
arpeggiations, the preceding chordfretted(minus fingers Tip:
Whenperforming hammer-on pulFoff occurs. until usedfor the
embellishments) the nextchordchange ) = 4n-t2o GDDSUS4DCGCG 20.
WEEK 7oCil oTIACK 7 CD2 . Tracks:1-8 Technique:AlternatePicking
Genre:Rock/Blues "ascending Music Description: Thisexercise
takeslastMonday's (#36) stepfurther, threes" sequence a arranging
the A minorpentatonic fours"(A-C-D-E,C-D-E-C, D-E-G-A,etc.).
scalejnto"ascending Tip: Unlike week's last tripletrhythm, exercise
writtenin straight this is sixteenth notesso the picking direction
conis downstrokes upstrokes eachdownbeat. sistently or on
Onceyou'recomfortable starting figure the witha downstroke, try
starting with an upstroke. ) = 40-120 AmorATCDz. Tracks:17-24 Music
Description: whole-step The bendon the thirdstring, followed a
stringskipto the rootnote(A)on the first by string,is a pentatonic
movethat was madepopular bluesstring-scorcher by Stevie Vaughan.
Ray (measure fifthposition (measure followthe suggested Tip:
Tofacilitate cleanshiftfromeighthposition a 1)to 2), fingeringsthat
arelocated belowthe tab staff.CD2 . fracks. 17-24 Music
Description: Quarter-step bends,alsocalled"smears," introduced
thisexercise. are in Played strings1-3, on the pitchesare
iocatedhalfilay betweenthe original frettednote and a
half-stepbend. pitch;instead, for a pitchthat Tip: Whenperforming
quarter-step a bend,you'rereally targeting specific not a aim
sounds slightly of tune. outJ=c.reo r.r:=jil 21. Technique:
Arpeggios Genre:Rock #.16 CD2. Tracks:1-8 Exercise: workout,
heretheirrootsarelocated the fifth but on Barre Music Description:
chordsarethe basisof this arpeggio progression utilized Gj:)-ft is
onceagain. thanthe sixth.Theomnipresent stringrather you'reableto
maintain samevoicing (index the finger string5; ring-finger on Tip:
Because of the chordsaremajor, all 2-4) throughout. barreon
stringsCD2. Tracks:9-16 per (twotriplets beat), sweep-picking this
exercise, the previous like Featuring sextuplet rhythms Music
Description: diatonic triadsin the keyof G. six,utilizes pattern
(downwards sweepfollowed two by focusing the strictpicking on Tip:
Playthe firsttriad(G)repeatedly, moving to the wholeexercise. on
upstokes), beforeVn - - - 1 VV n- - - r VV n - - - r V V n - - -
rVVn---rV Vn---rV VTechnique: Legato Genre:.Rock/Blues #48 CD2.
Tracks:1- Exercise: A of bluesscale, elitended minorpentatonic.l is
the foundation the scale Similar ihe extended to Music Description:
hammer-on/pulFoff maneuvers strings and 6, and index-finger on of
include this legato lick.Highlights this exercise slideson strings
and 5. 3 of exclusively the indexand ringfingers yourfret hand.
with Tip: Notice that the entirelickis played ) = 4f,-r2nTechnique:
Rhythm Genre:Rock Exercise: f49 CD2. Tracks:1-8 with
basicopen-position D, features ascending arpeggios arevoiced that
G, Thisrhythm fjgure Music Description: and C chords. (i.e., for
downstrum sweep) eachchordshape. Tip: Forefficiencyb sake,usea
singleId ing [email protected] pick: ----------------n| 22. WEEKAoo
C01IRACK 8 CD2 . Tracks:1-8 Technique:AlternatePicking
Genre:Rock-/Blues Music Description: A minorpentatonic The
scaleencompasses alternate-picking this exercise, whichdescends the
scale,notefor note,before reversing course string5. on Tip: Begin
exercise an upstroke end witha downstroke. the with and
Onceyou'recomfortable thispattern, with start witha.downstroke end
withan upstroke. and ) = 4o-r2o AmorATCDz . Tacksi 17-24 jaggedA
minorpentatonic features Music Descriplion: This line multiple
stringskipsthroughout, ascending both and descending. Tip:
Baryourindexfingeracrossstrings1-3 at the jifthfretto minimize
fret-hand movement. -aJ-J = 4r-160 (.1.l= J )) A7CD2 . Tracks:1-8
Technique: StringBending Genre:Rock/Blues Music Description: of the
bendsyou'velearned to this point(pre-bends, All quarter-step, up
hallstep,andwholestep)arearranged a two-barblues-rock into example.
Tip: Watchout for the pre-bend beat3 of the firstmeasure.
bend(andrelease) a full beat,whereas on This lasts the restof the
bendsin the example a halfbeatin length. are ) = 40-120 23. CD2 .
Tracks:1-8 Music Descriplion:LastThursday's arpeggiated D, and C
barrechords, G, withthe rooton string5, areusedagain in
thisworkout, onlyin descending fashion. Tip: Usethe tip of yourfret
hand's indexfinger mutestring6, so it doesn'tringsympathetically.
to ) = 40-120 GDCGpick:n V V n o r :v - - - - - - - - - - - - - - -
- - l ld ir8throuShoulCD2. Tracks:9-16 Music Description: Newmajor,
minor, and diminished voicings introduced this sweep-picking iriad
are in exercise, whichis ananged triplets in alongthe guitar's
threestrings, the keyof D major. top in Tip: Forthe
minortriads,learnbothfingerings; alternate the voicings comein
handyin subsequent will exercises.CD2 . Tracks:1- pull-offs,
index-flnger Music Description: Featuring hammer-ons, and slides
withinthe framework the extended of A minorpentatonic scale,this
lickis the descending version lastweek'slegato (#48). of exercise
Tip: Combine exercise lastweek's this with figure an intense for
ascending/descending workout legato that covers a largechunkof
fretboardrealestate. ) = 4n-DO AmorA?CD2 . Tracks:1-B Music
Description: this rhythm In exercise, arpeggios the fromExercise
arerestated; 49 however, sequence the the of notes has been
reanangedinto a 6-2-3-4 stringpattern. Tip: In an effortto get to
the nextchordin rhythm, don'tbe afraid liftyoufingers the fretboard
the lasteighth to off on noteof eachvoicing. Although
openstringmaysoundrather an thana chordtone(insomecases, openstring
I an will a chordtone), few people notice difference. fact,it'sa
trickpracticed virtually will guitarist the planet. the ln by every
onlet ring thrcuShoul pick n V --------------l 24. GUITARoA/EEK 9o
[111IIACK I Exercise: #57 CD2 . Tracks:1-8 Technique: Alternate
Picking Genrc:Rock/Blues The Music Descriplion: A minorpentatonic
scalearranged a sequence "descending in of threes" formsthe basisof
thisnextexercise. fretting noteson the eighth withyourpinlry,
yourringfingerinstead. the fret Tip: lf you'rehaving difficulty use
) = 4o-r2o AmorATExercise: #58 CD2. Tracks:1-8 Technique:
StringSkipping Genre:Rock/Blues Thisfigureis similar Exercise of
Week1, onlythistimetwo strings skipped to 2 Music Description: are
between note pairsof the A minorpentatonic scale. play the Tip:
Afteryou'veplayed firstnoteof eachnotepair, simultaneously the
second noteof the pairwhileyou moveyourindexfingerintoplacefor the
firstnoteof the nextstring. ) = 40-l2O AmorATCD2 . Tracks:1-8
Technique: StringBending Genre:Rock/Blues playing Music
Description: Thislickintroduces new bending tlvo techniques:
frettednotesduringa sustained bend (measure and an oblique 1)
bend(measure Likemanyof the previous 2). bending exercises, lickjs
performed thls in the rootposition the A minorpentatonic of scale.
reinforcingwithyourmiddle it Tip: Perform seventh-fret the
bendswithyourringfinger, and indexfingers. ) = 40.t2O A'71 25. CD2
. Tracks:1-8 in rootsarearpeggiated a H-2-3 stringsequence. G,
Music Description: D, and C barrechordswithfifth-string picking
pattern. picking pattern, a down-down-up-up economy try alternate
this Tip: Onceyou'recomfortable ) = 4o-r2o CnDVnCGVv -SweepPicking
Genre:Metal Technique: CD2 . Tracks:9-16 (#54). sweep-picking
exercise version lastweek's of Thisfigureis the descending Music
Description: it's of Onceyou havethemunderyourfingers, onlya matter
usedin this example. Tip: Thereareonlythreevoicings putting to
exercise. them in the propersequence playthe entireV - - - - - . i
V - - - - - - - r V- - - - - - - r v - - - - - - - rCD2 .
Tracks:1-8 hammer-ons and this focuses open-position on the scale,
exercise Featuring E minorpentatonic Music Description: pulFoffs.
this lickovereither Emor E7 chord. an Play with of You notated
belowthe tab staffareonlya suggestion. mayalsoexperiment a
combination Tip: Thefingerings yourmiddle for and indexfingers the
noteson frets3 and 2, respectively. ) = 40-120Technique: Rhythm
Genre:Rock CD2. Tracks:1- Exercise: #6ll voicedas rhythm, minor,
major, major, A C G and E minorarpeggios, ln eighth-note Music
Description: a consistent pattern that repeats eachnewchordchange.
on in chords, played an ascending/descending are open-position Em
as open-position in voicethe E minorarpeggio a standard Tip:
Although noteis not played thisexample, the finger voices
andyourmiddle yourfret hand's the middle fnger voices noteat fret2
of the fifthstring, chord,wheieby the noteat fret2 of the
fourthstring.kt nn2thrououln oick: --------1V --------rn ------ i
V--------ln----I v --------t 26. WEEKlOoiDlr IfiACK l0 picking
Exercise: #g cD2. Tracks:1-8 Technique: Alternate Genre:Rock/Blues
pentatonic Music Description: Here, A minor the scaleis arranged
"descending in fours,"landing the sixth-string on root note (A)on
beat 4 of the secondmeasure. yourfret-hand Tip: "Roll" indexor
ringfingers playsubsequent to noteson the samefretof adjacent
strings. ) = q-rn AmorATExercise: #65 cD2. Tracks:I-8 Technique:
stringskipping Genre:Rock/Blues Music Description: Thisexercise the
descending is version lastTuesday's minorpenlatonic of A
string-skipping workout (#58). playing practice stringskipat a
time(every beats). Tip: Before through entire the figure, one two
Thencombine of all beats,playing wholeexercise the indicated the at
tempos. ) = 4oam AmorATExercise: #66 CD2. Tracks:.l- Technique:
StringBending Genr6:Rock/Blues Music Description: this lick,yet
another In new bending technique introduced: whole-step is the
unison bend.The term"unison bend"comesfromthe factthat the
bentnoteis the samepitchas, or in unison with,thefretted note. Tip:
Performing unison the bendin measure withyourpinkywillgiveyoutwo
fingers 1 (ringand middle) whichto with reinforce it. ) = 4O-120
27. CD2 o Tracks:1-8 in Am, Open-position C, G, and
Emchordsarearpeggiated an ascending/descending, Music Description:
"Fade Black," to that'sfoundin Metallica's This sequence. is the
sameprogression one-chord-per-measure for try iingering shownin
parentheses the G chord. of Tip: Forthe purpose efficiency, the
alternate= pick n V n V n V n o r :n - - - - - - - - - l V - - - -
- -2 (3) V -ln V n V n V n V n ---------1 V ------ln V n V n V n Vn
V n V n V n V n ---------.1 --------l VIet ing
thtoughorlSweepPicking Genre:Metal Technique: CD2 . Tracks:9-16 #68
Exercise: (#61), additional of eachtriad(Afor exercise an sth of ln
a Music Description: thisexample, continuation lastweek's
etc.)hasbeenaddedto the top stdng. D major, for E minor, for F*
minor, B C* for sweepfor the firstthreenotes,usean upstroke the
lastnoteof each a downwards Tip: Afteremploying single grouping.
four-noteRay moveof JimiHendrix Stevie Vaughan. and legato slides
that occuron string3-a favorite triplet-based the withyour, finger,
ring belowthe tab staff.By starting phrase fingerings arenotated
that Tip: Follow suggested the that appear beats3 and 4. on
you'llfreeyourmiddle to the and indexfingers perform slides ) =
4Gr20 Emor E7Technique: Rhythm Genre:Rock CD2 o Tracks:1-8
Exercise: #70 (#63) havebeenretained fromlastSunday G and TheA
minor, major, major, E minorarpeggios C Music Description: been and
the are different, a newtechnique--+Emmer-ons-has addedto although
rhythms slightly for thisexample, the mix. you. for prompt, is
staves, intimidate A down-sweep stillemployed whichis notedbetween
Tip: Don'tletthe picking The however, breakup the continuous is and
an up-sweep usedfor theirdescent. hammer-ons, the arpeggios' ascent
motionof someof the sweeos.bt nng hrcughoal pick n
---------In---rV--.t n - - - - - - - - - - r V- - - - - r 28. WEEK
11o. 1l CDI TflACK CD2 . Tacks2 17-24Music Descrjption:
Thistriplet-based alternate-picking workoutincorporates bendsto
forman applicable minor A pentatonic blueslick. Tip: Follow picking
the directions notated between tab and notation the staves
facilitate bends, to the whichmustbe performed quickly maintain
stricttripletrhythms. to the ) = 4O-120 AmorA?#72 CD2. Tracks:1-8
Technique: StringSkipping Exercise: Genre:Rock/Blues A Music
Descdption: Thisexercise similar the ascending minorpentatonic is
to string-skipping wokout from Exercise 58, onlythe orderof the
notepairson eachstringarereversed. promptindicates downstroke Tip:
Although picking the a shouldbeginthe exercise, experiment usingan
upstroke with patterns manytimesal the temposindicated. to startthe
figure.Practice both picking ) = 4o-r2o AmorAT 29. CD2 . Tracks:1-8
Music Description: Thisarpeggio figureborrows Am{-G-Em progression
Exercise however, sixththe from 67; here string-rooted
barrechordsareutilized rather thanopenchords. Tip: To change
fromthe Am bane-chord voicing the C major to voicing, simply add
yourmiddle finger string3; to remove to change it fromG to Em.pick
n V n V n V n V o r :n - - - - - - - - l V - - - - - - - - l b
nqthroughouln V n V n V n Vn V n V n V n Vn V n V n V n V - - l n -
- - - - - j v - - - - - - - - l n - - - - - - l/- - - - - - - r
n--------l v--Exercise: #75 CD2 . Tracks:9-16 Technique:
SweepPicking Genre:Metal Music Description: sweep-picked The
triadsfromlastweek(#68) arranged are herein descending fashion.
grouping Tip: Afterplaying firstnoteof eachfour-note (onebeat) the
witha downstroke, a single use upwards sweep to articulate
remaining the threenotes. ) = 4O-112 D-1+CD2 . Tracks:1-8 Music
Description: Basedin the E bluesscale, open-position this legato
features line alternating three-note twoand notepull-offs it
descends strings. as the Tip: Usea combination right-and left-hand
of muting prevent to unwanted stringnoise, especially previously
from played openstrings. ) = 40-120CD2 o Tracks:1- Music
Description: Similar lastSunday's to rhythm exercise, C, G, and
Emarpeggios arranged an ascendAm, are in pattern; pull-offs addedto
threeof the fourarpeggios. ing/descending however, lieuof
hammer-ons, in are Tip: The mostefficient to voicethe G
majorarpeggio to moveyourfrethand's finger way is ring fromfret3 of
the fifth string(itslocation the C chord/arpeggio) fret3 of the
sixthstring. for to Thatway,youcan useyourpinkyfinger, similar the
Am and C arpeggios, perform pull-off string2. to to the onIet ,i^8
throushouI p i c k :n - - - - - - - l V 30. WEEK 12ol}l r TBAfr( 12
CD2. Tacksi 17-24 Music Description: Thislickopenswithan "ascending
threes" sequence the A minorpentatonic of scale, features whole-and
quarter-step bends,and resolves the rootnote(4 on the fourthstring.
to Tip: Review Exercise fromWeek6 (ascending 36 threes) before
tackling exercise. this ) = co-tzo AmorATExercise: #79 CD2 o
Tracks:1-8 Technique: StringSkipping Genre:Rock/Blues (#58,#65,
and#72,thisexercise, finalof its Music Description: Ukethe
licksfromthe previous threeTuesdays the kind,features two-string
skipsananged withinthe conlines the A minorpentatonic of scale.
Tip: Useyourpinky(instead yourringfingeo playthe notesat the eighth
of strings1, 2 and 6. of to fret ) = q.t2o AmorAT 31. Music
Description: Fifth-string-rooted chords, barre utilizing Am-rc-Em
progression the previous the of two Thursdays, the foundation this
arpeggio form for exercise. Tip: Toarticulate highest the noteof
eachmajorbane-chord you arpeggio, mayfindit necessary briefly
yourring to lift fingeroff of the fretboard, reapplying for the
arpeggio's it descent.n V n V n V n Vn V n V n V n V n-------l v n
---------l V ---------l ln V n V n V n Vn --------r v --------rn V
n V n V n V n ------r v -------lCD2. Tracks:9-16 Music Description:
Notefor note,thisfigureis identical the onefromExercise
exceptthat,here,a hammer-on to 68 is employed connect noteson
string1 for eachtriad. to the Tip: Aftersweeppicking
firstthreenotesof eachchord,hammer yourpinkyfinger articulate
fourth, the on to the and final,noteof eachgrouping.Exercise: #8il
CD2 o Tracks:1-8 Technique: Legato Genre:Rock/Blues (#76), phrase
Music Description: Similar lastSaturday's to legato exercise this
alsofeatures E bluesscale;howthe ever,herethe notesascend strings
alternating the via two-note and three-note hammer-ons. portions
thisfigure Tip: Trymixing and matching your of with lastweek's
example, improvising own ascending/ descending open-position legato
lines. ) = 40-l2OEmor E7CD2 . Tracks:1- 'Music Description: this
rhythm In pattern workout, Am, C, G, and Em arpeggios arranged a
distinct are in called picking," pickerwho popularized technique,
"Travis whichgot its namefromthe country the Merle Travls. Tip: lf
youchoose fingerpick pattern, to this notice that yourpickhand's
thumbplaysthe noteson the strongbeats (thebassnotes) and
yourindex,middle, and dngfingers alternate between noteson the
weakbeats. the 32. A/EEK 13o13 lDloTRACK CDz . Tracks:1-8 (C-Arn)
featuring arpeggios, is Thisbasictwo-bar, two-chord iigure,
ascending descending and Music Description: youradjacent-string
chops. to alternate-picking designed enhance to and arpeggios, to
downstrum upstrum playthe ascending descending and Tip:
Fightyourinclination usea single respectively.let nag th'oughoul
pick: nVnTechnique: StringSkipping Genre:Rock/Blues CD2 . Tracks:1
in up blues Music Description: Someof the stringskipsthat
you'velearned to thispointarefeatured thisapplicable 1 2.) lickin
A. (Specifically, beginning the "and"of beat3 of measure , and the
lasttwo notesof measure ' on this fret-hand fingerings advice howto
perform lickmostefficiently. for on Tip: Usethe pickingpromptand
suggested ) = 40-120 A7W 33. CD2 . Tracks:1+ Music Description:
Thisarpeggio figure combines open-positlon the chordsand
barrechordsofthe exercises from (#67,#74,and #81),in the familiar
the previous threeThursdays Am-C-G-Emprogression. Tip:
Whenrepeating phrase, position openposition, the
don'tworryabouthaving quickly to movefromseventh to because
firstnoteof the firstmeasure an openstring, the is whichallows an
easytransition: forn V n V n V n Vn V n V n V n V n V n V n V n Vn
V n V n V n V n --------l v --l n - - - - - - - - l v - - - - - - I
n - - - - - - - - l v - - - - - - - - 1 n - - - - - - - - l v - -
-- - - -ICD2 . Tracks:+16 pattern Music Description: sweep-picking
(#82) beenreversed; The fromlastweek's exercise has here, pulloff
on a the top stringis followed an upwards by sweepof strings and 3.
2 Tip: Unlike week's last figure, hereyou aresweeping strings two
instead three-the noteson string1 arearticulated of witha
downstroke a oulloff. andExercise: #90 CD2. Tracks:1- Technique:
Legato Genre:Rock/Blues Music Description: Hammer-ons pulFoffs
usedto ascend and are and descend E blues-scale TheopenB this lick.
and highE strjngs playedin concert cap the phrase are to and
reinforce keycenter(E). the Tip: Thequickhammer/pull foundon the
"and"of beat2 of the second measure a si)iteenth-note (three is
triolet notes arecrammed a halfbeat). into
Spendsomeextratimegetting that rhythm downbefore attempting playthe
enthe to lick. ) = 40.120 Emor E7CD2 o Tracks:1- Music Description:
Thisfinger-picking (#84) few stepsfurther firstaddingan figure
takeslastSunday's exercise a by pattern extrachordtoneto beat 1 of
eachmeasure, modifr/ing picking passing the slightly, thenincluding
and chords (G/8, D, or D/FI)on beat 4 of everymeasure the Am-C-G-Em
progression. of Tip: Onceyou havethis pattern underyourfingers,
addingsomeof the embellishments werepresented pretry that in
viousrhythm exercises, suchas hammer-ons pulFoffs, the proceedings.
and tomptpnnptpnrpapi 34. WEEK 14ol0l r IRACK 14 CD2 . Tracks:1-8
picking articu(#85), figure focuses usingalternate on to exercise
this Music Description: extension lastweek's An of the
fifthandfourthstrings. that between starting on lateascending
arpeggios alternate yourfret-hand lifting flngers onlyto
switchvoicings. for measure, Tip: Keepboth chords(Cand Am)fingered
the entireler ing thtuughoul picknYnTechnique: String Skipping
Genre:Rock/Blues CD2 . Tracks:1-8 skipsin measure and one.string 1,
lick one-andtwo-string Thisbluesturnaround in A features Music
Description: 2. skiosin measure yourindexfingerbarred the across
strings1-3 willfacilitate fifth{retstringskips. 1, Tip: In measure
keepingTechnique: StringBending Genre:Rock Exercise: #94 CD2.
Tracks:1-8 to workout(#87), onlyhereihe bendshavebeenmoved
Thisexerclse similar lastWednesday's is Music Description: E, of
minorscalestartson its fifthdegree, whichcan alsobe thought as the
E 2 to strings and 3, and the A natural Phrygian mode. pick with
exclusively. Tip: Forbetternoteclarity, this exercise downstrokes )
= 4o-1m AmorEm 35. CD2 . Tracks:1- (#88) usedonce
fromlastThursday's exercise are In workout, chordvoicings the Music
Description: thisarpeggio again, onlythistimejustthe top
threenotesareplayed. you use and banechords from Tip:
Tovoicethesechords, canchooseoneof two options: the fullopenchords
provided here,belowthe tab stafi. Exercise or usethe fingerings
88,n V n------rn V v--- ICD2 . Tracks:9-16 figure, exercises
incorporated this se)duplet are into Elements fromthe previous
sweep-picking six Music Description: sweeps, and pulFoffs. triadsin
the keyof D, downward including you shifipositions, yourfret-hand
indexfinger a guide,moving alongstring3 fromfretto fret. it use as
Tip: WhileV nrVV n - - - r VV n - - - r VV n - - - r VCD2 .
Tracks:1-8 E lick slides string2, bothof whichincoron Highlights
this open-position blues-scale include of Music Description: porate
unison and a sixteenth-note tripletpull-off the "and"of beat4 of
the firstmeasure. on the openE string, the enough archso as to
avoidmuting the slideat the end of the lick,yourringfingerneeds
Tip: To execute unison openhighE string. ) = qo-t2oTechnique:
Rhythm Genre:Blues #98 CD2 . Tracksi17--24 Exercise: in the one
usedrhythmic devices bluesguitar: boogie Thisfigureintroduces of
the mostcommonly Music Description: pattern. a A5 Here, two-string
andA6, D5 and D6,and E5 and E6 chordsoutline basicl-lV-V
(A-D-E)progression. you (withrepeats), cantransform intoa
basic12-bar it bluesby following this example Tip: Although is
onlya three-bar I chord(lwo measures), chord(onemeasure), chord V
lV lV this pattern: chord(fourmeasures), chord(twomeasures), I
(onemeasure),chord(twomeasures). I -3-( J = c - r c o, ! = J ) )
36. WEEK15or CDl TBACK 15 CD2 . Tracks;1-8 presented picking to
whenalternate noteson adjacent Music Descrjption: addition the
inherent In challenges strings, figure features difflcult the lask
of skipping overstrings and 4 as well. 2 this C-Am arpeggio
jumps,andthenincorporate Am arpeggio pattern the and string the
Tip: lsolate C arpeggio practice picking the and intothe
fullexercise.let in8 thtuuShoulpick nVnFeaturing majorand
minor-sixth intervals the E Mixolydian from modealongstringsI and 3
Music Description: pulFoff provides greatpractice rapidly lick for
exclusively, country this skipping overa single stringmultiple
tirnes. picking hybridpicking, alternate or whichis a combination a
downof Tip: Youcan pickthis licktwo ways:witheither with finger.
withyourpickand an upstroke yourmiddle strokeTechnique: Exercise:
#101 CD2. Tracks:1-8 StringBending Genre:Rock/Blues bends
introduced this lick,whichis rootedin the A minorpentatonic are in
scale(with Music Description: Compound bendsaremostoftenreferred as
anybendsthat exceed wholestep;inthis case,1%to a an
addedFI).Compound and two-stepbends. preferably with lightstrings,
.009sor .010s. Also,be sureto useyour Tip: Forthis
lick,you'llwantto usea guitar fingers reinforce bend. to the
indexand middle ') = 4o-r2o A7 37. CD2 . Tracks:1-8 (#95);
onlydifferences Thisfigureis nearly identical lastThursday's to
arpeggio exercise the are Music Description: 2-4, the notesof the G
chordareslightly rearranged, the last that the voicings
havebeenshifted downto strings and to chord,Em,hasbeentransposed a
Ioweroctave. you'replaying openstrings the Emarpeggio, yourfret
handup to fifthposition thal it'sin Tip: While the of shift so
placefor the Am arpeggio, the repeat. on ) = 4n-l20 AmCCEmCD2.
Tracks:9-16 minor, diminished In threenewvoicings major, of and
triadsarearranged the in Music Description: this nelitfigure, keyof
C, in stepwise fashion, alongstrings1-3. Tip: To sweeppickthe major
triads,useyourfret hand's Jinger baracross ring to strings and 2.
3pickn--------ln- ---ln---------1n --------ln--------ln---------1n
--------ln --------lTechnique: Exercise: #104 CD2 o Tracks:1-
Legato Genre:Roc.ldBlues "Crossroads," nextlegato turnaround in
Cream's lick this line, Music Description: Reminiscent
EricClapton's of (withan addedmajor3rd,Cl), features assortment
hammer-ons in an of and basedpredominantly A minorpentatonic
pull-offs strings on 2-4. valueassigned the hammer-on occurson
beat2 of the secondmeasure. perform to that To Tip: Thereis no
rhythmic yourfingerdownontostring3 as quickly possible. it
properly, simplyhammer asTechnique: Rhythm Genre:Blues Exercise:
#105 CDz . Tracks:17-24 'MusicDescription: variation the rhythm
(#98), boogie pattern, figure fromlastSunday this rootedin the
keyof A, A of progression. addsdominant seventh chordsto the l-lV-V
(A-D-E) prefer slidetheirringer Tip: Someguitarists to Jinger
onefretto playthe dominant up chords(47, D7,and E7)on beat
That'sperfectly but, sake,I suggest that you instead yourpinky. use
3 of eachmeasure. acceptable for efficiency's r3-(Il=J)) J=ns-reo
38. WEEK 16or CDI TBACK 16Music Description: Thisfigurereverses
orderof the ascending descending andAm arpeggios the and C foundin
Exercise 85. Tip: Although exercise this startswitha descending
arpeggio, O beginwitha downstroke, alternating downstokes and
upstrokes throughout. Onceyou'recomfortable this pattern, with
reverse and beginwithan upstroke. itExercise: #1O7 CDz.
Trackst17-24 Technique: StringSkipping Genre:Blues Music
Description: Constructed the A bluesscale(wiihan
addedmajor3rd,Ct),thissixthslick,likelast from (#100), ananged
Tuesday's is exercise alongstrings1 and 3 exclusively, skipping
thus overstring2. played Tip: Onlytwo fret-hand shapes, witheither
middle-index middle-ring a or fingercombination, used are
throughout. _13_r . l = o - l 2(o J = J . l ) 4 ACD2 . Tracks:1-8
Technique: StringBending Genre:Rock/Blues Music Description:
popular A bending technique guitaris the gradual on
bendand/orrelease. Here, takesthree it beatsfor a whole-step bendon
string2 to reachits apex(bar1) and2%beatsto fullyrelease whole-step
a bendon string3 (bar2). gradual. proper means Tip: Gradual Execute
thesebendyreleases smoothly possible, be sureto maintain as as and
intonation. ) = q-no 39. CD2 . Tracks:1-8 (#102) restated Music
Description: Am, C, G, and Emarpeggios The fromlastThursday are
here,notefor note, voicedon stringset 3-5. exceptthistimethey're
Tip: Yourindexand pinkyfingers stayon strings and 5, respectively,
allfourarpeggios, 3 for whileyourmiddle and is ringflngers
alternate, depending whether voicing majoror minor, string4. on the
on ) = 4n-|2O CnVnn -----lv -----lGEmVCD2 . Tracks:9-16 (#103),
Ukelastweek's sweep-picking exercise triadarpeggios the keyof C
arearranged in Music Description: along with strings1-3; however,
theydescend areaniculated up-sweeps. here and Tip: Remember,
notesof the arpeggios the should ringtogether, rather not but
individually. Therefore, oncea stringis pressure from its
respective fret-handfinger. struck, release ) = 4o-r12 CDp i c kV ,
- - - - - - - l :mV --------,tEmFCAmBoCV,--------t V,-------.t
V--------.r V--------.1CD2 . Tracks:1 pull-off is basedin E
minorpentatonic played stricteighth-note Thisrapid-fire lick in
Music Description: and triplets. picking" (i.e., downstroke string1
and an upstroke string2) Tip: To perform lickmostefficiently,
"inside this use a on on That with it as .throughout.
beingsaid,onceyou'recomfortable the lick,try starting withan
upstroke well. ) = 4G120 EmorETExercise: #112 CD2. Tracksi, 17-24
Technique: Rhythm Genre:Blues pattern the sameas the
onefromWeek14;however, patis Music Description: Notefor note,this
bluesboogie the positions. willget you acclimated a
widelyusedalternative the tern hasbeenmovedto fifthand seventh This
to to fingering-andgiveyourpinkya stretch! open-position
yourfrethand's withthe longpinlq stretch, thumbon the backof the
neck(rather Tip: To assist center thanwrapped it), the on around in
approximately sameplacethat yourindexfingeris positioned the
fretboard. -Ja( J=4-160 ,|J=J.l') 40. A/EEK 17o.IIACK 17 CDI
Exercise: #113 CD2 . Tracks:1 Technique: Alternate Picking
Genre:Rock Music Description: Alternate-pickedandAm arpeggios C
featuring stringskipping onceagain orderof the are the gaps
day.Thistime,however, string-skipping havegrownto two
andthreestrings. the Tip: Resist urgeto usea single the upstroke
playthe noteson the top threestrings. to Instead, concentrate
alteron natepicking entire the ligure.nYn#114 Exercise: CD2 .
Tracks:9-16 Technique: String Skipping Genre:l/etal Music
Description: A majorscale(A-rc{-D-E-F$-Gf) is ananged a
three-notes-aer-string The in string-skipping in exercise, starting
fifthposition. Tip: Notice that therearethreedistinct fingerings
utilized thisexercise, eachfor stringpairs1-2, 3-4, and 5-6. in one
) = 40-ll2 ACD2 . Tracks:1-8 (bar'1)and multi-step andwhole;bar2)
double-stop (half Music Description: Quarter-step bendspepper Chuck
this Berry-inspired featuring lick, notesfrombothA minorandA
majorpentatonic. Tip: The double-stop bendsareexecuted witha
ring-finger barre.lf youfindthat too difficult, usingbothyourring
try fingers bendthe notes. and binlsy to ) = 4o-t2o A7 41. CD2 .
Tracks:I- Music Description: Similar the exercises the previous to
of threeThursdays, the ubiquitous C, G, and Em here Am, arpeggios
arranged the guitar's are on bottomthreestrings. position,
eliminate Tip: TheAm arpeggio alsobe played can one octavehigher,
fourteenth in to someof the longer fret-hand shifts. ) = 40-120
AmCGF.mExercise: #117 CD2. Tracks:9-16 Technique: SweepPicking
Genre:Metal Music Description: sweep-picking The exercise
fromWeek15 (#103) modifled is herewiththe addition an extra of
chordtoneon string1 of eachtriad,making themeither majorseventh,
minorseventh, dominant seventh, half or diminished. you Tip:
Because additional. of eachchordis played the note withthe pinky,
mayfindthe alternate fingering the for half-diminished chord(Bm7b5)
moreadvantaoeous.Exercise: #118 CD2 o Tracks:1- Technique: Legato
Genre:Rock (#11 Music Description: LikelastSaturday's exercise l),
this legato is rootedin the E minorpentatonic lick scale;
groupings, the pull-offs however, eachbeatcontains here four-note
and occuron string2. Tip: To minimize fret-hand movement,
yourindexfingeracross bar strings1 and 2. Also,try usinga
downstroke for the noteson string3. ) = 4f,-r2o Emor E7Exercise:
#119 CDz . Tracksi 17-24 Technique: Rhythm Genre:Blues Music
Description: Thisboogiepattern mimics onefromWeek15 (#105) the but,
likelastSunday's exercise, finthe gerings positions.
havebeenmovedup the fretboard, fromopenposition the fifthand
seventh to give Tip: lf the widepinkystretches you problems,
fretting firstchordof eachmeasure D5,and E5)with try (A5, the you
indexand middle fingers, rather thanyourindexand dngfingers. -J-I J
= o . r e(o J = , J ) ) (r) A54.6A70v) D(v) 5D6D'D6E5E6WE6 42.
WEEK18or Ct}I ilACK 18 picking Exercise: #120 GD2 o Tracks:1-8
Technique: Alternate Genre:Rock Music Description: onlydifference
The (#113) thisone is the orderof noteson between Monday's last
exercise and beats2 and 4 of eachmeasure. reanangement
thesenotesnecessitates The of another stringskip,thistimebypassing
string2. Tip: Notice that in orderto change fromC to Am, onlythe
ringfinger yourfrethandneeds move(third of of to fret string5 to
secondfretof string3).nvnCDz . Tracks:9-16 Music Descfiption:
Thisfigureis the descending version lastTuesday's major of A
string-skipping (#114). exercise Tip: lf an index-ring-pinky
combination finger feelsuncomfortable whenplaying noteson strings
and 6, subitithe 5 tute yourmiddle finger yourringfinger. for ) =
40-l2O A' Exercise: #122 CD2. Tracks:1- Technique: StringBending
Genre:Rock Music Description: Thisriff-based quarter-, exercise
employs half-,and whole-step bendson the bassstrings, popa guitar.
ulartechnique rockand country in Tip: Whole-step bendson the low
strings be difficult execute. the oneat the end of thisfigure, the
sixth can to For pull string.downward jts pitchmatches openA
string. until the 43. Exercise: #123 CD2. Tracks:1 Technique:
Arpeggios Genre:Rock Music Description: thisfigure, few of the
chordshapes In a fromprevious arpeggio exercises implemented a are
into two-octave, five-string arpeggio workout through veryfamiliar
the Am-Hr-Em progression. picking encouraged, exercise
trulybuiltfor sweeppicking Tip: Although alternate is this (follow
picking prompt is the that's notatedbetweenstaves).J33333p i c k n
V n V n V n V n V n V V n V n V n V n V n n V n V n V n V n V n nVV
n V n V n V n V n V n Vo r :n - - - - - - - r V n V - - - - - - - -
r n -------rVn V ----- - - r n -------{V n V-------rn - - - - - - -
l V n V- - - - - - - - tCD2. Tracks:9-16 Music Description: seventh
The fromlastweek's (# chords Sweep-picking exercise
117)-major,minor, dominant, and halfdiminished-have
beenarangedherein descending fashion, eachusinga combination a
downstroke an of and uo-sweeo. Tip: Be careful whenyou get to the
GZ chord;thoughthe descending is the same, top noteof the four-note
triad the pattern onefret lowerthanthe top noteof the major-seventh
pattern. is Dm7Em7FmajTG7Am7Exercise: #125 CD2. Tracks:1-
Technique: Legato Genre:Rock Music Description: dominant (E-G|-B-D)
E seventh andA dominant ninth(A-Cl-tr-Ci-B; rootis omitted the the
in example) arpeggios pull-off outline two-barEZ-Agprogression this
rapid-fire the in lick. legatoline(#1 18),baryourindexfinger
yourremaining acrossstrings1 and 2, adjusting
fin.Tip:LikelastSaturday's gersbackonefretto accommodate
chordchange. theExercise: #126 CDz. Tracksi17-24 Technique: Rhythm
Genre:Blues Thisbluesboogiepattern Music Description: features
newtwistnot foundin the boogiepatterns previous a of Sundays:
quickimplementation eachchord's a of minorand major3rd on beat2 of
theirrespective measures. Tip: Whenexecuting minor3rd-to-major
movement the sixthstring, sureto get enough the 3rd on be archon
your frethand'spinlsy finger not mutethe fifthstring. to 44. WEEK
19o)DloTBACK 19Music Descfiption: Thiscountry is rootedin the C
majorpentatonic lick scale(with addition one chromatic the of
passing tone,Eb) features mixture fretted and a of and open-string
notes. Tip: Useyourindex,middle, ring,and pinkyfingers playthe
noteson the first,second, to third,andfourthfrets, respectively.
J=6o-1s4 cCD2. Tracks:9-16 Music Description: ThisA
majorstring-skipping exercise follows sameconcept Exercise the as
114,exceptthat, groupings here, three-note the descend
eachstringbefore on skipping the newtargetstring. to Tip:
Spendextratimeworking the position on shiftthat occurswhenmoving
fromstring3 to string2. Although it's this onlya one-fret
shift,it'strickywhenplaying typeof pattern. ) = 4o-rr2(#122),
figure fromlastWednesday Music Description: Likethe exercise this
focuses bass-string on bends. Thistime, for half-step
bendsaremixedwithopenstrings a snappy country in G. lick Tip:
Pushup, towardthe ceiling, whenperforming thesebends,
avoidinterference the adjacent to with openstrings. J= 60-1s4 G 45.
CD2 . Tracks:1-8 pattern played Am, is twiceper measure, outlining
C, G, and Em A Music Description: root-3rd-Sthrdarpeggio top
respectively, the guitar's two strings. on chords, workout, happens
be a greatalternate-picking it to exercise, too. Tip: Not onlyis
thisa greatarpeggiooickn V n V n V n Vn V n V n V n Vn V n V n V n
Vn V n V n V n VCD2 . Tracks:9-16 is figure features samenotesas
Exercise the 117,onlyherea hammer-on Thissweep-picking Music
Description: to the arpeggio connect noteson string1. usedin
eachfour-note Instead, notesin a tripletrhythm. thesenotesshouldbe
comTip: Takecarenot to playthe lirstthreesweep-picked rhythm.
noteand played a steady in sbdeenth-note binedwiththe hammered ) =
4o-rr2CD2 . Tracks:1- VanHalen's tapping
extravaganza,major(A-CI-E), ininor(Ct-EA C$ A Eddie Music
Description: nod to "Eruption," (B-D{-F|-A;the rootis omitted the
figure), E major(E-G}-B) in and arpeggios tappedin are seventh
Gf),B dominant groupings three-note alongstring2. yourindexor
middle finger. with Tip: Thetaps can be performed either) =
no-rnCD2. Tracksi17-24 this boogieriffwhileplaying Chicago the
blues legend BuddyGuypopularized single-note Music Description:
Guitar (beat3) and sth (beat4). root(beats and 2),as wellas its
bTth 1 The lineconsists eachchord's of circuitin the 1960s. 1, the
G and Forexample, linefor the AZ chord,in measure contains notesA
toot), A (rootoctave), (b7th), E (sth). the (i.e., in manner
shortand crisp). shouldbe performed a staccato Tip: All of the
notesin thisfigure 46. A/EEK 20oo 101TfiACK 20Music Description:
LikelastMonday's (#127],, country alsofeatures C majorpentatonic
lick this line the scale(withan Ebpassing tone):however,
lickpredominantly this descends scale,resolving the root(C)in the
secondmeasure. the to Tip: Practice eachmeasure separately you can
playthrough until themwithno mistakes. Then,linkthe measures phrase
together playthe entire and repeatedly. J = 60-184CD2 . Tracks:9-16
Music Description: Influenced lastTuesday's (#128), by exercise
herethe A majorscaleis arranged three-note into groupings ascend
that eachstringwhilesimultaneously descending neckvertically a
string-skipping pattern. the via Tip: Because the position of
shifts that occurbetween stringpairs1-2 and3-4, firstpractice
exercise half this a measure a timeto isolate position at the
shifts. ) = 40-112 AExercise: #136 CD2. Tracks:33-40 Technique:
StringBending Genre:Country 'Music Description: Thisbass-string
bending was borrowed riff fromBradPaisley's of tricks.Thefigure's
bag two .l chords(B and E)areconnected with quickbendsof the
fifthand sixthstrings, the endof measure . at Tip: Afterplaying B
chord,moveyourindexand ringfingers the sixthandfrfthstrings, the to
respectively, you're llke goingto playan FI powerchord.Thiswillput
you in perfect position attackthe bends. to 47. Technique:
Arpeggios Exercise: #137 CD2 . Tracks:1-8 Genre:Rock (#130); Music
Description: Ndtefor note,thisarpeggio exercise identical the
onefromlastThursday is to however, havebeenshifted strlngset 2-3.
to herethe fingerings Tip: TheC and G arpeggios the
samefingerpattern simply use so slideyourfrethanddownthe
neck,fromseven(Am The the teenthto twelfthposition. minorarpeggios
and Em)alsoshare samefingering.#138 Technique: SweepPicking
Exercise; CD2 . Tracks:9-'16 Genre:Metal .MusicDescription: major,
The minor, dominant, half-diminished and seventh chords
fromWeeks1Z-19arearranged performed pull-offs up-sweeps. that
descending arpeggios with hereintoa sweep-picking exercise features
and in Tip: Thinkof eachfour-note arpeggio beingdivided
half,withone halffeaturing pull-off the otherhalffeaas a and
turinga two-noteup-sweep.Exercise: #139 CD2. Tracks:1 Technique:
Legato Genre:Rock the fromlast Music Description: Thistapping
exercise borrows A, C{m,BZ,and E arpeggios tripletrhythms and
(#132) rearranges orderin whichthe second but the and thirdnotesof
eacharpeggio played. are Saturday's example Tip: Toachieve
consistent a attackwith eachnote,pushthe stringdown (orup)slightly
yourtapping with fingerbefore it'sreleased.Technique: Rhythm
Exercise: #1rO CD2.Tacks:17-24 Genre:Blues pattern (#133),
riffincorporates quick,three-note "tag"to to boogie this a Music
Description: Similar lastSunday's addingsomezestto the aural-and
performance-monotony a 12-barblues. of eachmeasure, withthe
onefromlastweek.lt willkeepyou linessounding Tip: Don'tbe afraid
mixand matchthisboogiepattern to fresh!' -Jr(Il=J)) .l= c-reo NWW
48. A/EEKo1illl oIIACK 2l Exercise: #141 CD2 o Tracks:33-40
Technique: Alternate Picking Genre:Country Music Description: G
majorpentatonic The scale(witha Bbpassing tone)informs hot country
this lick,whichis simllarto the ascending open-position fromWeek19
(#127'). lick possible, notesringtogether givethe phrase touchof
country Tip: Whenever let to a "twang". ) = 6o-ru (iCD2 .
Tracks:9-16 Music Description: Similar the A majorpatterns the
previous Tuesdays, A natural to of few the minorscaleis jumpa
wholeoctave(A into arranged a three-notes-per-string
string-skipping exercise. Here,however, groupings the to A, D to D,
etc.)whenmoving fromonestringto the ne)d. jumps) Tip: These
stringskipscovermoreof the neck(two-and three-fret thanthe A
majorscalepatterns, practice so eachskip separately
beforeplayingthe entireexercise. J= 4o-rr2Music Description:
You'llneedlotsof finger strength-andpatience-to pullof this
"pedal-steel" in C major, lick a pickers. favorite country of (a
Tip: Usehybridpicking combination yourpickandfingers) playthis
lick,plucking non-bent of to the noteson the finger.
secondstringwithyourmiddle .l = 60-184c 49. CD2 . Tracks:1-8
pattern fromthe previous two arpeggio Anr-C-G-Em two-string In the
Music Description: this exercise, familiar (#130and #137)is played
a loweroctave, strings and4. on 3 in Thursdays (index, for simply
adjusting by middle, pinliy) the lirstthreearpeggios and Tip:
Youcan usethe samethreefingers yourfingering string3 by onefret.
onSweepPicking Genre:Metal Technique: CD2 o Tracks:$-16 #14.5
Exercise: in seventh chordsin the keyof C arearranged a and
lvlajor, minor, dominant, half-diminished Music Description:
pattern up that movesstepwise the neckon strings1-3. sweep-picking
ascending/descending rapid-fire arpeggio. fifthnoteis soundto
upstrokes playthe fourthand sixthnotesof eachsix-note Tip:
Useback-to-back CIhe ed by the pull-off.) ) = 4o-rr2V n - - - rVV n
- - - rVVn ---r VVCD2 . Tracks:1-8 132 notesequences fromExercises
and the Thisfigure combines A, C|m, 87, and E arpeggio Music
Description: tapping workout. 139 intoa singular to fromthe BZ
arpeggio spendextratimeworking shifting on
bothhandsmustmovesimultaneously, Tip: Because the E majorarpeggio.
) = 4o-r2oGenre:Blues Technique: Rhythm # CD2. Trackst17-24
Exercise: f47 pattern "Pride features walk-up the E a of and
Joy,"thisshuffle RayVaughan's A Music Description: nod to Stevie
with majorpentatonic scale(E-Gf-rc{-E) that alternates E
majorchordstabs. picking, playing bassnoteswitha downstroke the
staccato and chord the form Tip: Usean exaggerated of alternated
stabbwithan upstroke. rJ-= ,J c-reo (Il =J .l ) w 50. A/EEK
22o0loIMCI( 22 Exercise: #148 CD2. Tracks:33-40 Technique:
Alternate Picking Genre:Country Music Description: Likelastweek's
(#141), phrase constructed lick this is fromthe G majorpentatonic
scale(witha $b passing tone).Unlike week'slick,however,
linepredominantly last this descends scale,resolving the root(G)
the to on the sixthstring. Tip: Watchout for the adjacent
openstrings that crossthe bar line.These trickyand
willneedsomeelitraattention. are ! = 60-184CD2 . Tracks:9-16 (#142)
arranged Music Description: A minorstring-skipping The exercise
fromlastTuesday is herein descencling fashion. picking exercise,
employing pull-offs articulate notes. Tip: Onceyourcomfortable
alternate this try to the ) = 40-tt2 AmMusic Description:
whole-step A bendis heldfor an entire measure whilenotesfromthe G
majorscalearestruck intermittently between reiterations the
bentnote. of your (ring) Tip: Reinforce bending finger
withyourmiddle finger, especially whenplaying noteson string1.
Thiswill the you help.tokeepthe bentnotein tune.lt alsorequires to
playthe 8th-fret withyourindexfinger. C J=co-rtl.48., 51. CD2 .
Tracks:1-8 pattern (#144) restated, notefor note;however,
fromlastThursday is In the Music Description: thisfigure, arpeggio
to 4 lingerings havebeenshifted strings and 5. the fret-hand
picking exercise, usinglegato-a combination hammer-ons pulF try of
and this Tip: Onceyou'recomfortable alternate the offs-to
articulate noteson string4. .J= 4-120 AmCGEmCD2. Tracks:9-16 Yngwie
Malmsteen. lick by super-picker Thisneoclassical sweep-picking is
inspired Swedish Music Description: resolving the rootof the Am
chord. to are overan ETbg chordbefore brpeggios "swept"
Here,diminished-seventh feature samefingerpattern the and moveup
the neckin minor3rds arpeggios Tip: All threediminished-seventh
(three{ret increments).Technique: Legato Genre:Rock #15i! CD2 .
Tracks:1- Exercise: (#146) fromlastSaturday's exercibe Thistapping
fest bonowsthe A, Clm, 87, and E arpeggios Music Description: the
of but flip-flops notesequences beats1 and 2, and 3 and 4, of
eachmeasure. of indexfinger mutestring-1 the to and stringnoise,
the underside yourfrethand's use Tip: To prevent unwanted H.
bladeof yourpickhandto mutestrings ) = &r2oCD2 . Trackst '17-24
is referred as "sliding to 6ths"because the interval of In Music
Description: guitarlingo,this bluesrhythm commonly (a 6th)that
existsbetween top and bottomnoteof eachthree-note In chordvoicing.
fact,thisfigureis oftenplayed the withthe middlenotesof the
chordsbeingomitted. indexfinger fret4 of the on dominant-ninth
chords, withyourfrethand's Tip: Voice D9 and E9chordslikestandard
the thesenotesarevoiced only;theyshould remain silent.
respectively. course, Of fourthstringandfret6 of the fourthstring,
52. W E E K 23oi0l . TRACK 23Thisnextexercise features
three-octave, a two-notes-per-stringmajorseventh G arpeggio,
startMusic Description: (FI) degree oJthe chord/scale. ing on the
seventh note)and shouldbe picked a Tip: Notice thatthe firstnote,F
, startson the "and"of beat4 (thisis called "pickup" withan
upstroke.:=so.rs t,rl=i5l#156 CD2 o Tracks:9-16 Technique: String
Skipping Genre:lvletal Exercise: workoutsimilar the onefoundin
Week21 (#142) utilized-here, to is Description: A
minorstring-skipping An Music pattern groupings descend
eachstringwhilethe overall the now on ascends fretboard. although
three-note the finger is Tip: Thesamepinky-ring-index combination
usedfor all sixstrings.Technique: StringBending Genre:Country
Exercise: #157 CD2 . Tracks:3H0 pedal-steel that moves witha
restated lick G, Music Descdption: F,and C chords(V-lV-lin the
keyof C)areoutlined positionally-from to the twelfth tenthto
seventh--down neck. hovering overstring3, over(oron)strings1 and 2,
andyourindexand ringfingers Tip: Keepyourpinkyhovering the whileyou
movedownthe neck.Thatway,they'llbe in placeto restate lickat
eachstop. 53. CD2 . Tracks:1-8 pattern of the usedto outline
Am-rc-Em progressions the lastsevthe In Music Description:
thisfigure, arpeggio on strings and 6. 5 is in eralThursdays
restated a loweroctave, respecin an can Tip: TheG and Em arpeggios
alsobe played octavelowerthanwritten, thirdand openpositions,
tively. yourearto guideyou. UseCD2 . [email protected] 17-24mutedstringsweeps
leadintowhole-step bluesphrase, A In Music Description:
thisstandard minorpentatonic (upwards) sweepat the fifthfretthat
leadsintoa in 2, 1. bendsin measure Thisis followed, measure by a
reverse ouarter-steo bend. in 1 during sweeps measure . the of Tip:
Usethe fleshyunderside yourpickhandto mutethe strings -J-.=qo-m(f)=
. j)Rock Technique: Legato Gen-re: #160 CDz. Tracks:1-8 Exercise:
chordtonehasbeenaddedto the A, Ch, BZ and E arpeggios For Music
Description: thistappinglick,an additional notes. the fromtriplets
sixteenth to four of exercises the previous weeks,changing rhythms
that wereusedin the legato grouping reverting and takingcarenot to
omitthe lastnoteof eachfour-note rhythm, on Tip: Focus the
sixteenth-note examples. of backto the tripletrhythms previous ) =
4n-rnRhythm Genre:Jazz Technique: GD2. Tracks:2G-32 Exercise: #161
pattern, "Charleston" rhythm, jazz-sr,,1ng this
shownhereusingvoicings A of Music Description: variation the
popular in settings. is in of a l-lV-V progression the keyof G
major(G7-C9-D9), prevalent big-band Also,the firstchordof
eachmeasbothchordattacks(beat1 andthe "and"of beat2) in
eachmeasure. Tip: Accent staccato. ureshouldbe playedv 54. A/EEK
24oCIlloTRACK 24 picking Exercise: #162 CD2. Tracks:25-32
Technique: Alternate Genre:Jazz Music.Description: figureis
identical Exercise fromlastweekexceptfor one note,5*
(the7th),whichhas This to 155 beenfowered halfstep,to F (thebzth),
makeit a G dominant a to (G-B-D-F). seventh arpeggio Tip: To
accommodate lowered the seventh, yourindexand ringfingers use
(rather thanyourindexand middle fingers, as in Exercise 155)to
playthe noteson strings 4, and6. 2, -Jr([)= ) ) ) =ss-ru G7CD2 .
Tracks:9-16 .MusicDescription: Building the A minorstring-skipping
on exercises the previous of threeweeks, flgure this ascends
threescaletoneson one stringbefore skipping the nexttargetstring.
to picking sequence, employing Tip: Afteryou'vebecome comfortable
alternate the try hammer-ons execute to the noteson eachstring. ) =
4l-rr2 AmExercise: #1Bl CD2. Tracks:1-8 Technique: StringBending
Genre:Blues Music Description: Thisopen-position combines (string
and half-step lick whole-step (string bendswithopen 3) 1) strings a
bluesy for sound. Tip: W-hole-step bendsin openposition be
difficult execute. can yourthumbaround neckwillgive to Wrapping the
youa littleextraleverage. ) = 4o-12o E7 55. CD2 . Tracks:1-8 per
pattern played the tvvice measure, outlining ubiquitous is arpeggio
A Music Description: 5th-3rd-root-3rd AnFG-Em progression. that
this overotherprogressions you know usingthe noteon string2, the
root,as yourposiTip: Tryplaying pattern yourfingerings the
according whether chordsaremajoror minol:. to
tionalguide,andthenadjustingphrase sportsAm(maj7) and this luminary
Martino, sweep-picking Pat ftomja?7-guitar Bonowed Music
Description: progression. played rapidsuccession a i7-iv7(Am7-Dm7)
ove( in arpeggios Dm(maj7) 2-3. middle finger barthe noteson
strings to sweeps, yourfret hand's use Tip: Forthe upwardLegato
GenIe:Rock Technique: CD2. Tracks:1+ #167 Exercise:
(A-B-C-D-E-Fi-C) mode,or,due featuring notesfromthe A Dorian scalar
sequence, A four-note Music Description: (A-Btl-D-E-Fl-G) mode,is
repeated eachbeatof this on of to the omissioir a minoror
major3rd,A Mixolydian two-bartappingphrase. your into for
exercises, ringfingeris incorporated the festivities the
firsttimeso conTip: Afierllveweeksof tapping volume across
fournotes. all consistent on centrate achieving ) = 40-t?n
AmorATJazz Rhythm Genre: Technique: CD2 . Tracks:25-.32 #168
Exercise: (#161), progression lastSunday this'lfourto the bar" from
lllustrated usingthe l-tV-V(G7-C9-D9) Music Description: pattern
another in settings. favorite ja77guitarists big-band of is comping
with staccato, the chordson beats2 and 4 of eachmeasure shouldbe
played Tip: All of the chordsin thisexample thanksto CountBasie
whenplaying example, this (i.e.,played technique louder). Also,a
popular receiving accents chordvoicing. guitarist threenotesof
eachfour-note is Freddie Green, to soundonlythe lowest ) = s6-r44
56. WEEK 25or 25 C0l IIACKpattern Music Description: thirddegree,
of the G dominant The B, seventh arpeggio fromlastweek(#162) been
has lowered halfstepto Bb,making a G minorseventh a it arpeggio.
Tip: Divide arpeggio stringpairs(G-5,4-3, 2-1),usingan
index-ring/index-pinky pattern each. the into finger for -3-) =
st-ru (J)= ) i'tExercise: #170 CD2. Tracks:9-16 Technique: String
Skipping Genre:lvletal Music Description: this string-skipping In
exercise, C majorscale(orA minor, relative the its minorscale)
arranged is pattern boththe first.and in an ascendjng,
three-notes-per-string on thirdstrings, completely skipping
overstring2. Tip: Experiment various with waysto finger exercise.
fingerings this The notated merely are suggestions. , ) = 4[-rr2
CorAmCD2 . Tracks:1- Technique: StringBending Genre:Rock/Blues
Music Description: Rooted the 12th-position minorpentatonic in E
scale, lickis a repeating this three-note sequence fealuring
whole-step bendson string3. picking pattern perform pattern. Tip:
Usea down-down-up to eachthree-note ) = co-tm E7 57. Genre:Rock
Arpeggios Technique: CD2 o Tracks:1-8 Eiercise:*fZZ patterns 165
fromExercise havebeenshifted the Forthisexercise, Am, C, G, and
Emarpeggio Music Description: fingerings. in 2 fromstrings1 and 2
to strings and 3, resulting different pickthe two the picking, a
pull-off articulate firsttwo notesof eachpattern; to use to iif: ns
ai atternative aftJmate notes. remainingGenre: Jazz Technique:
SweepPicking 23-82 CDz. lriac]picking," whichwas introduced backin
Exercises version "Travis of Usinga moresophisticated Music
Description: A basslineto open-position and E chords. marries
alternating an fingerpicking 84 and 91, this country
noteswithyourjndexand (bass) with notesexclusively yourthumband the
upstemmed Tip: pluckthe downstemmed middle fingers. . ) =so-tu AE
110. WEEK 52oIll 'nACK52Music Description: (last jazz Slmilar a
bluesturnaround two barsof a 12-bar to blues), lmajT-Vl7-iim7-V7
1t)7nthis around incorporates scalar linesand arpeggios navigate
progression, both to the making a greatalternate-picking for
exercrse. phrase played fifthposition. bestresults, Tip: Thisentire
is in For followthe suggested fingerings arelocated that in the
notationstaff.(!7=j'i) t=se-w Abrnllc?Cm7FjExercise: #359 CD2.
Tracks:+16 Technique: StringSkipping Genre:Metal Music
Desciiption:To cap this book'sstring-skipping exercises, here's
jaw-dropping-and a nearly impossibleplayed strings1, 4, and 6.
Forproofthatthis lickcan be performed-and blazsequence E
minorarpeggios of on at ingspeed,no less--rheckout PaulGilbert's
/ntense Bockvideo. Tip: Practice exercise this s/ow! ) = 4n-lt2
EmExercise: ffl60 CD2. Tracks:33-40 Technique: StringBending
Genre:Country lvlusicDescription: Thiscountry chordmelody piayed
strings is on 3-5 exclusively feituresa handful whole-' and of
stepbends. yourpick,middle Tip: Assign finger, ringer and finger
strings 4, and 3, respectively. thiscombination pick to 5, Use to
111. Genre:Rock Arpeggios Technique: CD2. Tracks:1-B #361 Exercise:
(#354) retained for pattern here is The Music Description:
two-notes-per-string/sweep-picking fromlastThursday a B, sth
however, startson the chord's degree, and utilizes one-note/ E
minorarpeggio, The the G majorarpeggio. pattern eachstringpair(6-5,
4-3, and 2-1). for two-notes Thispattern will can be usedfor
allthreestringpairs. fingerpattern three-note a Tip: Forthe E
minorarpeggio, single the phrase. throughout notesshouldbe
maintained but temptyouto playtriplets, sixteenth ) =
4o-t2oGenre:Metal Technique: SweepPicking CD2. Tracks:9-16 #362
Exercise: (#355) back;this are exercise from sweep-picking The
Music Description: Am-rc-Em progression lastFriday's on down-and
up-sweeps eachchordchange. between alternate the time,however,
arpeggios moredifficl-,lt moving than up 2) sweep(measure is
considerably an downthe neckto perform upward Tip: Shifting to
fromthe G arpeggio the Emarpeggio. on 1), the neck(measure so
spendextratimeworking the transitionGenre: Jazz Legato Technique:
CD2. Tracks:25-32 #363 Exercise: line fabricfor thisC majorlegato
that the restated twice,supplies melodic motif, A Music
Description: three-note to pull-offs strings1 and2, a hammer-on
string3, and a slidethat resolves the root,C, on string4. on on
features index,middle and ring phrase be played with exclusively
yourfrethand's can free!Theentire Tip: Thisiigureis pinlry stafffor
bestresults. in Follow fingerings the notation the fingers.picking"
of figure staple country a guitarpickerChetAtkinsmadethistypeof
"Travis Famed Music Description: the A majorbaffechordprovide notes
D music.Here,a fifth-string-rootedmajorbarrechoid and a
sixth-string-rooted festivities. for the fingerpicking planted the
fretboard alltimes,usingyour at on and Tip: Forthe A
majorchord,keepyourindex,middle, ringfingers pinkyto playthe
descending on melody string2. .l = 6GlSa DA 112. DAY365 o iDl TRACK
52 (contl CD2 o Tracks:9-16Music Description:
Thisalternate/sweep-picking conceptis borrowed fromRacer
string-scorcher Gilbert. X Paul pedal-tone is played string
Featuring familiar the Am{-G-Em progression,quick,alternate-picked
a four-note lick on 1 before descending a sweepcapseachchord. put
position the up-sweeps follow. Tip: Startwitha downstroke.to
yourpickin perfect for that ) = 40-112 AmCGV n V----FI.mn V
nACKNOWLEDGMINTS Thisbookis dedicated my sister, to Tonia,
tolerating racket for the that emanated from my bedroorn during
guitarist; my parents, my developmental stagesas a to Donand
SonjaNelson, theirunconditional for love and supportwhileI pursued
careerin the uncertain a musicindustry; especially my wife,Amy,who
and to offered constant encouragement throughout poect, and my twin
daughters, this Sophie and Claire, who werebornduringthe wrilingof
Guitar Aerobics. past l'd alsoliketo thankall of the musicians, and
present, who haveinspired influenced throughout and me years.
theABOUTTHEAUTHOR Troy Nelsonis a 2o-year veteran the six-string.
of Firstpicking the instrument up duringthe heyday "hair of metal,"
someof hisfirstguitarheroes included George Lynch, PaulGilbed, and
NunoBettencourt. Afterhigh jazzguitarfor two yearsat Milwaukee
school,he studied AreaTechnical College, wherehis musical
influences expanded include to Chadie Parker, JohnColtrane, Wes
Montgomery and amongothers.In 1994,he began his relationship
HalLeonard, whom he hasedited,proofread, transcribed with for
guitarpubliand numerous cations. Oneof thoseprojects included
Guitar One,a magazine company the launched 1995.Whileat the in
magazine, Nelson heldthe titlesof MusicEditor, SeniorEditor,
Editor-in-Chief a decadeat the and . After magazine, resigned he
fromGuitar Oneto pursue otherlove,football. spentthe 2005NFLseason
his He with player the NewYorkJets,duringwhichtime he wroteall of
the team'sgameday stories, wellas numerous as features, fantasy
footballpreviews, NFLDraftscouting and reports. Laterthat
year,however, Leonard Hal launched Guikr Edgemagazine luredNelson
and backto the musicbiz as its Senior Editor, titlehe holds a
today.Nelson currently resides Athens, in Georgia, with
hiswife,Amy,and twin daughters, Sophie and Claire. guitaror
changing Whenhe'snot busyplaying he attends diapers, classes the
University Georgia, at of home of the Bulldogsl 113. GUITAR
NOTATIONLEGENDGuiiarmusiccan be notated threedifferent waysion a
musical statf,in tablature, andin hythm slashes. D RHYTHM SLASHES
written are above the slalf. strum chords lhefillhm indicated. in
the lound Use chord diagrams atthelopof thefirstpage forthe
ofthelranscription Notes: appropiate voicings. chord Round
notehead! indicate noles. sinOle pitches THE MUSICAL shows STAFF
and rhythms is divided barlines into and by measures. Pilches named
thelircl are atter seven lettels ihealphabet. ol graphically
TABLATURE fepresents lhe linge$oad. hori2ontal Each line 0uilal
represents number a string, each and represents a lret.DE G @ @W)
)niEStrings: highE 3 G 0 low E4thstring, lrel 2ndDEFINITIONS'|st
& 2ndstrinos played open, togetherD open chordF O R S P E C I A
L G U I T A R NOTATIONHAIF-STEP Strike note bend BEID| the and
uo1/2steo.WHoLE-STEP Strike note BEilD: the and bend one uD
steo.GRACE BE 0: St kethenote llolE and immediately upasindicated_
bend( SI-IGHTlCnoTolE) BE[o:St kethe note bend 1/4ste0. and uD0END
nELEASE: thenote AND Strike and bend asindacated, release lo up
then back the0 oinal note. thefirst noteis only
struck.PBE-EElllr:8endnote indicated, the as then slrike
it.PRE.BEilD RELEASE: thenole AilD Eend asindicated. it and Stdke
release bend the back theodoinalnote. toUills0ilEEtlD: Strike
twonotes the simultaneouslybend lower up and lhe note lo thepitch
thehigher. otVlBRAlo: string vibrated rapidly The is by bnding
releasing note the and the with lretin0 hand.tlrl0tV|BRATo: pilch
varied a The is lo greater degree vibraiing thelretling with by
nano.IAMITER-oII the Strike first (lower) note withone tinger,
sound higher then the note (0nthesame string)with anolhertinoer by
picking. lretting without itPULL-oFF: both Place fingers thenotes
on to besounded. Strikethe note li6t and pickano, pullthe without
linger to sound otl (l0we4 thesecond note.|-EGATo SLIDE:
thefirstnote Strike and then thosame slide lret-hand upor lin0er
down thesecond The to note. second note is notstruck.SHIFT Sl-lDE:
asle0ato except Same slide, thesecond is struck. noteTBILI-:
rapjdly Very ("tap") fret alternate between the TAPPIilG: Hammer
the notes indicated continuously by hammerino indicated
thepick-hand or wili index pulling pullotfto note onand off. middle
finoerand the lretted the{rethand_ by 114. ilATURAL HABMotllC: the
Strike note while tret-hand the lightttouches the stdng dircctly
thefrci indicated. overPIilCH fiARilollC: lhe noteis lretted
normally a hamonic produced and is by adding edqe the tip
0lthethumb orthe ol theindex linger thepick of handtothe
nomaloickatiack.ilAnP HAnMoillC: note lrened The is nomdly PICK
SCR^PE: edge The ofthepick is producino and harmonicproduced oently
a is by resting rubbed (orup)thestring, the down pick hand's linger
index dirctly the above a scmtchy sound. pick indicated
(inparefiheset) tret whilethe hand's thumb pickassists pluckinq or
by the appropriate string.MUFFLEo SIRII{GS:percussive is A sound
produced laying frethand by the the across without strino(s)
depressing, strikjng and them theoick with
hand.PALiIMUTIG:Thenoteis partially muted hand lightlytouching
bythepick the string(s) before b dge. the iustBIXE: Drag pick th
across st nos the indicated a single with motion.ABPEGGIATE:
thenotes thechord Play ol indicated quickly by rolling from them
bottom top. loVDnATo n DIVEA[0 B REnnil: Ihe VIBRATo SC00P: BAR
DeDressthe
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