åéæäºè·è® Ep.K654: æ¢ è¥¿çå½±é¿ï¼MLS串æµè¨é±æ¿å¢ – éå¤å¸è±èª 15Mins Today – Podcast – Podtail |
您所在的位置:网站首页 › 三年级数学手抄报上册简单的1至4单元 › åéæäºè·è® Ep.K654: æ¢ è¥¿çå½±é¿ï¼MLS串æµè¨é±æ¿å¢ – éå¤å¸è±èª 15Mins Today – Podcast – Podtail |
å°å®¢éè²å¸¶ï¼ç§å¸æ°ä¸ä»£ï¼ãå°å®¢è½ç§å¸ã å¥½å ¥è³çç§æ®ç¯ç®ï¼è¶ æ°é®®çæ¯èªè½æï¼ç¨æ äºç¿»è½ç§å¸ï¼ ãå°å®¢è½ç§å¸ãé¦åµä»¥å°ã客æ¯èªç¼è²ï¼æç¥èèé²åæ 裡ã æ äºåå ä¹ç§å¸åï¼ é»æéçµæ¶è½ï¼æ äºè¦éå§è¬åï½ https://fstry.pse.is/5qntvc
ââ 以ä¸çºæå®¢ç ®è Firstory Podcast 廣å ââ
å°é¡è´å©æ¯ææ¬ç¯ç®ï¼ https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s çè¨å訴æä½ å°éä¸éçæ³æ³ï¼ https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments ------------------------------- éå¤å¸è±èªVIPå å¼å §å®¹èç·ä¸èª²ç¨ ------------------------------- éå¤å¸è±èªVIPè¨é±æ¹æ¡ï¼https://open.firstory.me/join/15minstoday 社æäººæ ¸å¿è±èªæè²æ¸èª²ç¨é£çµï¼https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today ç¸éé£çµ ------------------------------- æ¡è¿éå°éä¸éçè¨ä½ çæ³æ³ï¼ çè¨é£çµ 主é¡æ稿/æè¦åè¦ : [email protected] å®æ¹ç¶²ç«ï¼www.15mins.today å å ¥Clubhouseç´æ室ï¼https://15minsengcafe.pse.is/46hm8k è¨é±YouTubeé »éï¼https://15minsengcafe.pse.is/3rhuuy åæ¥åä½/è´å©ä¾ä¿¡ï¼[email protected] ------------------------------- 以ä¸æ¯æ¤å®ééå稿 (ææ¾å¨æä¸ååæ¸éå¶ï¼å®æ´æ稿å¯å°å®ç¶²) ------------------------------- Topic: The Magazine Business, From the Coolest Place to the Coldest One I miss magazines. Itâs a strange ache, because they are still sort of with us: staring out from the racks at supermarket checkout lines; fanned wanly around the table in hotel lobbies; showing up in your mailbox long after the subscription was canceled, like an ex who refuses to accept the breakup. ææ·å¿µéèªï¼éæ¯ä¸ç¨®å¥æªççï¼å çºå®åå¨æ種ç¨åº¦ä¸ä»èæååå¨ãè¶ å¸æéçµå¸³æï¼å®åå¾æ¶ä¸ç¯èæåï¼å¨é£¯åºå¤§å»³æ¡åå¨åææ´æåï¼åæ¶è¨é±å¾ä¹ å¾éæåºç¾å¨ä¿¡ç®±ï¼åæ¯æçµæ¥ååæçèæã But theyâre also disappearing. This accelerating erosion has not been big news during a time of pandemic, war and actual erosion, and yet the absence of magazines authoritatively documenting such events, or distracting from them, as they used to do with measured regularity, is keenly felt. ä½å®åä¹å¨æ¶å¤±ãå¨ç«æ ãæ°çèéèªççè¡°å¾®çææï¼é種å é衰微並ä¸æ¯ä»éº¼å¤§æ°èï¼ä½äººåæé³å°æ覺å°ï¼ç¼ºä¹æ¬å¨æ§éèªä¾è¨ééäºäºä»¶ï¼æåéå»é£æ¨£å®æçè®æ³¨æåå¾éäºäºæ è½ç§»ã Time marches on, or limps, but Life is gone. Thereâs no more Money. The print editions of their former sister publications Entertainment Weekly and InStyle, which once frothed with profit, stopped publishing in February. Itâs been au revoir to Saveur and Marie Claire; shrouds for Playboy, Paper and O. (As I type this, people are tweeting about The Believer being bought by a sex-toy site.) ãæ代ãéèªéå¨åé²ï¼æ說蹣è·åè¡ï¼ä½ãçæ´»ãéèªå·²ç¶éå»ããéé¢ãéèªæ²äºãå®å以åçå§å¦¹åç©ãå¨æ¨å¨åãåãInStyleãå°å·çæ¾ç²å©è±åï¼ä½å·²å¨2æåæ¢åºçã大家åãSaveurãåãç¾éºä½³äººãåå¥ï¼ä¹è®ãè±è±å ¬åãããç´ãèOéèªç©¿ä¸å£½è¡£ãï¼å°±å¨ææ°å¯«æ¤ææï¼äººåå¨æ¨ç¹ä¸èªªãThe Believerã被ä¸åæ 趣ç¨å網ç«æ¶è³¼äºã) Two recent books â âDilettante,â by Dana Brown, a longtime editor at Vanity Fair, and a new biography of Anna Wintour, by Amy Odell, formerly of cosmopolitan.com â are graveyards of dead or zombie titles that were once glowing hives of human whim. æè¿åºççå ©æ¬æ¸ï¼ãæµ®è¯ä¸çãè³æ·±ç·¨è¼¯éç´ï¼å¸æçãDilettanteãåæ¯å¤¢æ³¢ä¸¹åæå¡è¾åªï¼æå¾·ç¾çå®å¨æº«åæ°å³è¨ï¼æå¦äº¡è çå¢å°ï¼ææ¾æ¯äººé¡å¥æ³çå è¼å·¢ç©´å ä¸äºæ®å±åèã âThere were so many magazines in 1994,â Brown writes. âSo many new magazines, and so many great magazines. All the young talent of the moment was eschewing other industries and flocking to the business. It was the coolest place to be.â å¸æ寫éï¼ã1994å¹´æå¾å¤éèªãå¾å¤æ°éèªï¼å¾å¤å¾æ£çéèªãç¶æææå¹´è¼äººæé¿éäºå ¶ä»è¡æ¥ï¼æ¹§åéåè¡æ¥ãé£æ¯æé ·çãã Then suddenly the coldest. On the big fancy cruise ship that Brown had just boarded â Vanity Fair, where heâd been beckoned by Graydon Carter while a barback at the restaurant 44 â he and so many others then could only see the tip of an enormous iceberg they were about to hit: the internet. Smartphones, little self-edited monster magazines that will not rest until their owners die, were on the horizon. These may have looked like life rafts, but they were torpedo boats. ç¶å¾çªç¶è®ææå°å·çå°æ¹ãå¸æå¨44èé¤å»³å§æª¯ç¨é¤æï¼è¢«ç¸½ç·¨è¼¯å¡ç¹ææ¬ï¼åç»ä¸æå¦å¤§å豪è¯éµè¼ªçãæµ®è¯ä¸çãï¼ä½ä»è·å ¶ä»è¨±å¤äººåªè½çå°ä»åå³å°æä¸ç巨大å°å±±ä¸è§ï¼ç¶²è·¯ãæºæ §ææ©é種èªæ編輯ãç´å°ææè æ»å»ææåæ¢çå°æªç©éèªä¹å³å°ä¾è¨ãéäºæ±è¥¿å¯è½çèµ·ä¾åæ¯æçèï¼ä½å®åå ¶å¯¦æ¯éé·è¦ã Every year, the American Society of Magazine Editors issues a handsome award, a brutalist-looking elephant called the Ellie, modeled after an Alexander Calder elephant sculpture. Any writer would be proud to have it on the mantelpiece. æ¯å¹´ï¼ç¾åéèªç·¨è¼¯åæé½æé ç¼ä¸é 大çï¼éæ¯ä¸é éç¸æ´¾é¢¨æ ¼ãåå«ãè¾å©ãç大象ç座ï¼æ¨¡ä»¿èç¾å¾·å¤§è±¡éå¡è¨è¨èæãä½å®¶é½ä»¥æå®æ¾å¨å£çä¸çºæ¦®ã The history of modern American literature is braided together with its magazines. The future can feel like a lot of loose threads, waving in the wind. ç¾ä»£ç¾åæå¸å²èå®çéèªå½¼æ¤äº¤ç¹å¨ä¸èµ·ãæªä¾å°±åæ¯è¨±å¤é¬æ£çç·ï¼å¨é¢¨ä¸é£æãSource article: https://udn.com/news/story/6904/6379678 Next Article Topic: The Not-So-Glossy Future of Magazines One evening in mid-September, a gaggle of writers and bon vivant editors gathered by the outdoor fireplace and ivy-covered trellis of a West Village tavern. Steak was served, and the toasts lasted late into the night, the revelry trickling out to the nearby sidewalk. ä¹æä¸æ¬çä¸åå¤æï¼å¨è¥¿æçä¸å®¶å°é 館ï¼ä¸ç¾¤ä½å®¶ååæ¡äº«åçæ´»ç編輯åèéå¨ä¸å室å¤å£çå常æ¥è¤è¦èçæ ¼çæ¶åæãçæä¸æ¡å¾ï¼ç¾äººæ¯è§¥äº¤é¯ç´å°æ·±å¤ï¼æ¡é¬§è²æµçå°é°è¿ç人è¡éä¸ã It could have been a scene from the Jazz Age heyday of the Manhattan magazine set â or even the 1990s, when glossy monthlies still soaked up millions of dollars in advertising revenue, and editors in chauffeured town cars told the nation what to wear, what to watch and who to read. éå¹å ´æ¯å¯è½ä¾èªçµå£«æ代æ¼åå¦éèªæ¥å ¨çææï¼çè³æ¯90年代ï¼ä»¥äº®å ç´å°å·çæåéæ¯å»£åæ¶å ¥æ·¹è ³ç®ï¼ç·¨è¼¯ååå¨å¸æ©é§é§ç豪è¯è½è»å §ï¼åè¨´å ¨å該穿äºä»éº¼ã欣è³ä»éº¼ãé±è®ä»éº¼äººçå¹´é ã This night, however, had an elegiac tinge. The staff of Vanity Fair was saluting the magazineâs longtime editor, Graydon Carter, who had announced that he was departing after a 25-year run. In the back garden of Carterâs restaurant, the Waverly Inn, star writers like James Wolcott and Marie Brenner spoke of their gratitude and grief. ä¸éï¼éä¸æéèä¸ç¨®æ²å·çæ³å³ããæµ®è¯ä¸çãçå¡å·¥æ£åéèªçé·æ總編輯èé·ç»ï¼å¡ç¹è´æ¬ãå¡ç¹å¨ä»»è·25å¹´å¾ï¼å®£å¸å³å°é¢è·ãå¨å¡ç¹èªå®¶é¤å»³ãéä½å©é¤å»³ãçå¾è±åä¸ï¼ä¸äºææä½å®¶å¦è©¹å§å£«ï¼æ²ç§ç¹ãçªéºï¼å¸å«ç´é½è¡¨éäºä»åçè¬æåæå·ã Carter has always had a knack for trends. Within two weeks, three other prominent editors â from Time, Elle and Glamour â announced that they, too, would be stepping down. Another titan of the industry, Jann S. Wenner, said he planned to sell his controlling stake in Rolling Stone after a half-century. å¡ç¹ä¸åèµ°å¨è¶¨å¢å端ãä¸åºå ©ææï¼åæ3ä½ç¥åéèªç¸½ç·¨ï¼åå¥æ¯ãæ代ãããELLE她ãããé åãç總編ä¹å®£å¸æºåä¸å°ãå¦ä¸åæ¥çå·¨é ï¼ã滾ç³ãåµå人詹æ©ï¼æº«ç´å表示ï¼æç®åºå®ä»å¨ã滾ç³ãå·²ä¿æååä¸ç´çæ§å¶æ§æè¡ã Suddenly, it seemed, long-standing predictions about the collapse of magazines had come to pass. çªç¶ä¹éï¼é·ä¹ ä¾æééèªæ¥çµå°å´©æ½°çé è¨ï¼ä¼¼ä¹æçäºã Magazines have sputtered for years, their monopoly on readers and advertising erased by Facebook, Google and more nimble online competitors. But editors and executives said the abrupt churn in the senior leadership ranks signaled that the romance of the business was now yielding to financial realities. éèªæ¥æ¥å±¥è¹£è·å·²æå¤å¹´ï¼éèªå°è®è å廣åçå£æ·éå°èæ¸ãè°·æåæ´éæ´»ç網路競çå°æ侵奪ã編輯åé«ç®¡è¡¨ç¤ºï¼é«éé å°é層ççªç¶ç°åï¼èªªæéä¸è¡æ¥çç¾ æ¼å²æ£å財åç¾å¯¦ä½é ã As publishers grasp for new revenue streams, a âtry-anythingâ approach has taken hold. Time Inc. has a new streaming TV show, âPaws & Claws,â that features viral videos of animals. Hearst started a magazine with the online rental service Airbnb. Increasingly, the longtime core of the business â the print product â is an afterthought, overshadowed by investments in live events, podcasts, video, and partnerships with outside brands. é¨èç¼è¡äººå°æ¾æ°çæ¶å ¥ä¾æºï¼ãç¡æä¸è©¦ãçä½æ³éå§åºç¾ãæä»£å ¬å¸å æ¤æäºæ°ç串æµé»è¦ç¯ç®ã寵ç©ãï¼ä¸»è¦æåºç¶²è·¯çå³çåç©å½±çã赫æ¯ç¹éåè網路åºç§æåå ¬å¸Airbnbå辦äºä¸ä»½éèªãä½æ¯éèªæ¥é·ä¹ 以ä¾çæ ¸å¿âç´æ¬ç¢åå»è¶ä¾è¶åå¾ä¾ææ·»å çç¢åï¼å°æ¼ç¾å ´ç´æãæ客ãå½±ççæè³ï¼ä»¥ååå¤é¢åççåä½éä¿ï¼é½è®ç´æ¬ç¢å黯ç¶å¤±è²ã The changes represent one of the most fundamental shifts in decades for a business that long relied on a simple formula: glossy volumes thick with high-priced ads. éäºè®å代表éä¸è¡åºç¾äºæ¸åå¹´ä¾ææ ¹æ¬çè½è®ï¼èéåè¡æ¥ä¸åä»°è³´ä¸åç°¡å®å ¬å¼åæ´»ï¼å 鮮亮éºçæ¸åå滿滿çé«å¹å»£åã âSentimentality is probably the biggest enemy for the magazine business,â David Carey, president of Hearst Magazines, said in an interview. âYou have to embrace the future." 赫æ¯ç¹éèªéå總è£å¤§è¡ï¼å±éå訪æ說ï¼ãå¤æåææææ¯éèªæ¥æ大çæµäººãä½ å¿ é è¿åæªä¾ãã Source article: https://paper.udn.com/udnpaper/POH0067/319070/web/ Next Article Topic: Edward Enninful Is Named Editor-in-Chief at British Vogue Edward Enninful, the creative and fashion director of the U.S. magazine W, is set to replace Alexandra Shulman as editor-in-chief of British Vogue, its parent company, Conde Nast, confirmed Monday. The first man and the first black editor to take the helm of Britainâs most powerful fashion publication in its 100-year history, Enninful will begin his new role Aug. 1. A top stylist and acclaimed fashion director who migrated to Britain from Ghana as a child, the 45-year-old Enninful is known for his cheerful demeanor, his legendary fashion covers and for having an army of loyal fans in and out of the fashion business. He received an Order of the British Empire in June for his services to diversity in the fashion industry. è±åçVogueéèªçæ¯å ¬å¸åº·æ³°ç´ä»4æ10æ¥è實ï¼ç¾åï¼·éèªçåµæèæå°ç¸½ç£è¾å¾·è¯ï¼æ©å¯§ä½å°æ¥æ¿äºæ·çåï¼èç¾æ¼ï¼æ任該éèªç¸½ç·¨è¼¯ãæ©å¯§ä½å°å¨8æ1æ¥èµ°é¦¬ä¸ä»»ï¼ä»å°æ¯éåè±åææå½±é¿åçæå°åç©åµç«ä¸ç¾å¹´ä¾ï¼å·æ大æ¬ç第ä¸ä½ç·æ§ï¼ä¹æ¯ç¬¬ä¸ä½é»äººç¸½ç·¨è¼¯ã 45æ²çæ©å¯§ä½æ¯é å°é å師åååè®è½çæå°ç¸½ç£ï¼ä»å©ç«¥ææå¾è¿¦ç´ç§»æ°è±åï¼ä»¥å¿«æ´»çèæ¢è¡¨æ ãå³å¥çæå°éèªå°é¢ï¼ä»¥åå¨æå°åå §ååå¤ææ大æ¹éµç²èåãå»å¹´6æç²é 大è±å¸åå³ç« ï¼è¡¨å½°ä»å°æå°ç¢æ¥å¤å åçè²¢ç»ã Conde Nastâs international chairman and chief executive, Jonathan Newhouse, called Enninful âan influential figure in the communities of fashion, Hollywood and music which shape the cultural zeitgeist,â and added that âby virtue of his talent and experience, Edward is supremely prepared to assume the responsibility of British Vogue.â The appointment comes three months after Newhouse named another man, Emanuele Farneti, to the helm of Italian Vogue, following the death of Franca Sozzani. 康泰ç´ä»åééåè£äºé·å ¼å·è¡é·å¼·ç´æ£®ï¼ç´è±ªæ¯èªªï¼æ©å¯§ä½æ¯ãå½¢å¡æ代ææ½®çæå°çã好èå¡¢åé³æ¨çä¸ä½å ·æå½±é¿åç人ç©ãï¼ãæä»çæè¯åç¶é©ï¼è¾å¾·è¯å·²çºæ¿æè±åçVogueç責任å好äºè¬å ¨çæºåãã å¨æ±ºå®éé ä»»å½çä¸åæåï¼ç´è±ªæ¯ä»»å½äºå¦ä¸ä½ç·å£«è¾æ¼ç´ç¾ï¼æ³å §æåºæ義大å©ççVogueï¼æ¥æ¿å»ä¸çæ³èå ï¼ç´¢è©å¦®ã Enninful was an unexpected choice. Born in Ghana, Enninful was raised by his seamstress mother in the Ladbroke Grove area of London, alongside five siblings. At 16, he became a model for the British magazine i-D after being scouted while traveling on the Tube, Londonâs subway system. He has called modeling his âbaptism into fashion.â By 17, he was assisting on photography shoots for the publication with the stylists Simon Foxton and Beth Summers. In 1991, at 18, he took over from Summers as i-D fashion editor, making him one of the youngest-ever leaders of a major fashion publication. He also obtained a degree from Goldsmiths, University of London. æ©å¯§ä½æ¯åºäººææç人é¸ãä»å¨è¿¦ç´åºçï¼ç¶è£ç¸«çæ¯è¦ªå¨å«æ¦èåæåæä»å5åå å¼å§å¦¹æ«é¤é·å¤§ã16æ²æï¼ä»å¨æä¹å«æ¦å°éµæ被ææ¢ç¸ä¸ï¼æçºè±åi-Déèªç模ç¹å ãä»æèªå·±ç模ç¹å ç¶é©ç¨±çºãé²å ¥æå°ççåæ´ç¦®ãã å°äº17æ²ï¼ä»åå©é å師西èï¼ä½å æ¯é åè²çµ²ï¼æ¡é»æ¯çºéæ¬åç©ææç §çã1991å¹´18æ²æï¼ä»å代æ¡é»æ¯ï¼æçºi-Déèªæå°ç·¨è¼¯ï¼ä½¿ä»æçºä¸»è¦æå°åç©æå²ä»¥ä¾æå¹´è¼ç主管ä¹ä¸ãä»ä¸¦åå¾å«æ¦å¤§å¸éå å¸é¢çææã Although there are a handful of notable exceptions, the fashion industry has a dearth of black power players, and that had been a source of immense frustration for Enninful, who has made a considerable effort to improve things. He has made headlines with accusations of racism, including after he was assigned to sit in the second row at a couture show in Paris in 2013 when white âcounterpartsâ were in the first. éç¶æå°æ¸èåçä¾å¤ï¼æå°ç¢æ¥æ¥µæ¬ 缺ææ¬åçé»äººï¼éä¸ç´ä»¤æ©å¯§ä½æ¥µææ«æï¼èä»å·²ç¸ç¶åªå以è¬æ±æ¹é²ãä»æ¾å ææ§ç¨®ææ§è¦èä¸äºå¤§æ°èï¼å æ¬2013å¹´å¨å·´é»ä¸å ´é«ç´è¨è£½æçç§ä¸ï¼ä»è¢«æå®åå¨ç¬¬äºæï¼èèä»ãå°ä½ç¸ç¶ãçç½äººåå¨ç¬¬ä¸æã Source article: https://paper.udn.com/udnpaper/POH0067/312421/web/ |
今日新闻 |
点击排行 |
|
推荐新闻 |
图片新闻 |
|
专题文章 |
CopyRight 2018-2019 实验室设备网 版权所有 win10的实时保护怎么永久关闭 |