瑞士艺术家乌韦·威特（Uwe Wittwer）

乌韦·维特（Uwe Wittwer）（1954年生）是瑞士艺术家。他住在工作苏黎世，瑞士。他使用的媒介包括水彩，油画，喷墨打印和视频。

乌韦·维特沃（Uwe Wittwer）是自学成才的。他于1954年出生在苏黎世上学，最初是接受社会工作者培训的（伯尔尼，1974–1977年）。1979年，他租了第一间工作室。他的早期作品是色彩丰富的抽象表现油画。向象征性绘画的转变发生在80年代中期。他的第一个个展是1983年在苏黎世的Walcheturm画廊。1989年，他在伦敦获得了工作室资助（Binz 39 Foundation，苏黎世）。1994年，在苏黎世州政府的资助下，在巴黎学习了一年。同年，他获得了瑞士联邦艺术奖学金。1998年苏黎世赫尔姆豪斯个展，这是他的数码编辑照片第一次显示出来。从那时起，数字化处理图像便成为他工作的一部分。 他处理从互联网下载的图像。

“乌韦·维特威尔（Uwe Wittwer）是一位受过限制的仪式化词汇的画家”； 他的主题包括四个主要主题：风景，城市，静物和肖像-后来浓缩为三个主要主题：田园诗，参考作品和暴力主题。

Uwe Wittwer is an autodidact. Born 1954 in Zurich where he went to school, he originally trained as a social worker (Bern, 1974–1977). In 1979 he rented his first studio. His early works were colourful abstract expressive oil paintings. The change towards figurative painting took place during the mid 80s. His first solo exhibition was at Galerie Walcheturm, Zurich in 1983. In 1989 he spent time in London on a studio grant (Binz 39 Foundation, Zurich). In 1994 studied in Paris for a year, financed by a grant by the Canton Zurich. In the same year, he received the Swiss federal scholarship for the arts. 1998 solo exhibition at Helmhaus Zurich, the first time his digitally edited photographs were shown. Since then, digitally manipulated images are part of his work.He works with images downloaded from the internet.

'Uwe Wittwer is a painter with a restricted, a ritualised vocabulary'; his motifs consist of four main subjects: landscapes, cities, still lifes and portraits, - later condensed into three main themes: idyll, referential work and the theme of violence

Uwe Wittwer的画作，水彩画和喷墨印刷品中反复出现的图案包括对大师绘画，静物以及室内和流派场景的引用。作为合适图像的画家，维特维尔关注真实性，现实的多重折射以及艺术家作为图像猎人和偷窥者的角色。他从Internet的深处收集源材料（图像的图像），以模糊，令人困扰的美学效果渲染它们。Wittwer的作品具有压抑和怀旧之美，这意味着要适应过去的艰难过程。

Recurrent motifs in Uwe Wittwer’s paintings, watercolors, and ink-jet prints include references to Old Master paintings, still lifes, and interior and genre scenes. A painter of appropriated images, Wittwer is concerned with authenticity and truth, multiple refractions of reality, and the role of the artist as image hunter and voyeur. He gathers his source material—images of images—from the depths of the Internet, rendering them in a blurry, haunting aesthetic. Wittwer’s work has an oppressive, nostalgic beauty, meant to suggest the difficult process of coming to terms with the past.

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